Afro-Brazilian dance is unique and fun - expressive dynamic dance to hot,
percussive Brazilian rhythms.
The classes explore the exhuberant street dances of today's great
Brazilian festivals, such as Carnival and São João, as
well as the still vibrant dances developed by slaves brought to Brazil
from Africa from which they have sprung. The latter include dances
enjoyed at parties, dances at celebrations in honour of the
orixás (gods - often linked with the forces of nature), and
dances relecting day-to-day life and work.
The classes start with a gentle warm-up improving flexibility and
balance. This is followed by choreographed pieces structured so as to
help you develop an Afro-Brazilian dance vocabulary.
Afro-Brazilian dance was first created by the slaves of Brazil's
colonial era. The mixture of its [their?] steps, and of the rhythms
brought by the africans, with indigenous and Europeans influences were
essential to the vitality of Brazilian dance.
As a result there is a huge variety of dances spread throughout the
country, differing from one state to another depending on the the
original constitution of the local population. This explains why the
samba, although known as a national dance, has such a diversity of
steps varying from region to region.
The guiding theme of classes focuses on the dances of the Orixás -
dance originating in the rituals for the Yoruba gods which has a
strong presence in the North-East of Brazil, where the predominance of
african slaves and their descendents was and still is greatest.
The movements and gestures of this dance form come from the mythology
of the Orixás. As each divinity has their own characteristics, the
dances vary, with strong and vibrant movements when related to
warriors, or to thunder makers, to soft and swift movements when
representing the current of a small stream, a variation which is also
reflected in the rhythmic intensity.
Beyond the sacred sphere this dance is mixed with derived Afro-Bahian
dances, such as ijexá and afoxé, as well with elements of popular
contemporary dances, such as samba, coco, and xaxado.
In order to accommodate this rhythmical richness, Afro-Brazilian dance
has as its main characteristics the rapid marking of the rhythm by the
feet, and free and independent movements of arms, cheast, head and
hips.
Whisked along by a contagious rhythm, this style of dance is a great
opportunity for the classes' participants to relieve tensions through
spending the necessary energy to make the movements.
Bearing in mind that in Brazil dance is something really spontaneous
and which may happen at almost any time, during the class an
enviroment of inclusion is intended to be built, where the opportunity
to learn is given to all, without needing to fear making mistakes.
For this reason, even if one has never danced, the participant will
readily feel already part of what's going on, since most of the times
the collective rhythm is more important than any individual
step. Moreover, one of the classes' objectives is to build confidence!
Technique, however, is not forgotten. Through the class the students
will be trained to develop corporal expression, rhythmic perception
and motor co-ordenation, acquiring or widening in this way better
control of and extension of their movements, as well as the capacity
of improvise.
Summary of a typical class:
Begining. Steps are introduced, little by little forming short
sequences, with which posture and streching are worked on.
After the warm up, the focus is given to the motor-co-ordenation and
to the rhythmical perception. Here is where the pace starts to get
hot!
A rhythm is chosen and practised in detail. Often a short complete
choreography will be the result.
Sometimes, the students are asked to execute their movements in lines,
when they should practise the steps without losing the direction in
which they should go.
At other times, the students are put in the middle of a circle, where
they should dance following their rhytimical sensibility, as happens
in the traditional samba circle, when the important thing is not to do
a standard sequence, but letting oneself be guided by the rhythm.
At the end, we do some more streching, relaxing the muscles that were
contracted during the class, helping to let the body ready to do it
again.
The classes provide a great opportunity for all those who are curious
about Brazilian culture and want to widen their knowledge of it.
Composed of a heterogeneous group, the class is for anyone who wishes
to explore their talents in dance in relaxed and healthy way.
Beatriz trained in dance at the Universidade Federal de Bahia and has
performed at many of the most important theatres and events in Bahia
in her native Brazil. She has been running Afro-Brazilian dance classes in London for the last four and a half years as well as performing with her own dance company, Grupo Candomba.
Afro-Brazilian Dance
with Beatriz de Sousa Fernandes
Classes now:
Tuesday 8-9pm
Saturdays 5.30-7pm
at
The Place
16 Flaxman Terrace, WC1.
2 min walk Euston station
All welcome!
samba, forró,
axé, coco,...
email
beatriz @ afrobraziliandance.com
or call on
07968-564597
visit
www.candomba.org
and/or email
beatriz @ candomba.org
Afro-Brazilian dance
Frevo performance,
We danced Frevo
at the
Carnaval del Pueblo on Sunday 7th August in south London.
Click on the links to have a look at the pictures!
Further information about Afro-Brazilian dance
(esta informação
em português)
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