Barbara Wyllie
Tel: 020 7679 8724 (internal 28724)
Email: b.wyllie@ucl.ac.uk
Room: 313

Dr Barbara Wyllie

Deputy Editor of Slavonic and East European Review (SEER)


Barbara Wyllie read English at Cambridge and then took a Master’s in Russian Literature at SSEES, where she went on to study for a PhD on Nabokov. She began working on the Slavonic and East European Review in October 2000 while continuing to write on Nabokov. Her first monograph, Nabokov at the Movies: Film Perspectives in Fiction, was published in 2003, and she has also contributed to Liza Zunshine’s Nabokov at the Limits: Redrawing Critical Boundaries, Stephen Kellman and Irving Malin’s Torpid Smoke: The Stories of Vladimir Nabokov and Yuri Leving’s Shades of Laura: Vladimir Nabokov’s Last Novel, ‘The Original of Laura’, as well as The Reference Guide to Russian Literature, The Cambridge Companion to Nabokov and the Wiley/Blackwell Companion to Twentieth-Century United States Fiction. Her most recent book is an illustrated literary biography for Reaktion’s Critical Lives series. She has an article forthcoming in the Nabokov Online Journal (NOJ) and a chapter in the Cambridge University Press collection, Nabokov in Context in 2016. As well as being Deputy Editor of SEER, in February 2015 she was invited to become an Associate Editor of NOJ. Her wider research interests are in Russian and American literature, cinema and music.


Qualifications

PhD , UCL, “A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film”, 2000

MA, University of London - Russian Studies (Literature), 1995
BA, University of Cambridge - English Literature, 1989

Major Works


Publications 

Books:
Articles and Chapters:
  • ‘Childhood’, in Siggy Frank and David Bethea (eds), Nabokov in Context (Cambridge and New York: Cambridge University Press, forthcoming 2016).
  • ‘“My Age of Innocence Girl”: Humbert, Chaplin, Lita and Lo’, Nabokov Online Journal, vol. 9 (<www.nabokovonline.com>, forthcoming 2015).
  • ‘Looking for Flora: Deviance and Disclosure in Nabokov’s The Original of Laura’, in Yuri Leving (ed.), Shades of Laura: Vladimir Nabokov’s Last Novel, ‘The Original of Laura’ (Montreal: McGill-Queen’s University Press, 2013).
  • ‘Vladimir Nabokov’, in D. Seed (ed.), A Companion to Twentieth-Century United States Fiction (Chichester: Wiley/Blackwell, 2009).
  • ‘Nabokov and Cinema’, in J. Connolly (ed.), The Cambridge Companion to Nabokov (Cambridge and New York: Cambridge University Press, 2005).
  • ‘The Original of Laura’; ‘Look at the Harlequins!’; ‘Transparent Things’; ‘Invitation to a Beheading’; ‘King, Queen, Knave’; ‘The Return of Chorb’, in The Literary Encyclopedia (<www.litencyc.com>, 2005–2010).
  • ‘Experiments in Perspective: Cinematics in Nabokov’s Russian Fiction’, New Zealand Slavonic Journal, 36, 2002.
  • ‘Popular Music in Nabokov’s Lolita, or Frankie and Johnny: A New Key to Lolita?’, in Revue des études slaves, 70, 2000, 3–4: ‘Vladimir Nabokov dans le miroir du XXe siècle’.
  • ‘Memory and Dream in Nabokov’s Short Fiction’, in S. G. Kellman and I. Malin (eds), Torpid Smoke: The Stories of Vladimir Nabokov (Atlanta, GA and Amsterdam: Rodopi, 2000).
  • ‘Resonances of Popular Music in Lolita, Pale Fire and Ada’, in L. Zunshine (ed.), Nabokov at the Limits: Redrawing Critical Boundaries (New York: Garland Publishing, 1999).
  • ‘The Return of Chorb’, ‘Mary’, ‘Invitation to a Beheading’, in N. Cornwell (ed.), Reference Guide to Russian Literature (London: Fitzroy Dearborn, 1998).

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