Slade Transmissions Podcast | The Slade Occupation

Listen here to the ongoing series of radio programs made by The Slade Occupation for Resonance 104.4fm. The program is a platform for people’s audio artworks, music, current affairs features, talking, readings and other miscellaneous sounds, and represents a weekly aural glimpse into the inner workings of the school. The program is broadcast every Tuesday afternoon at 5.00pm and also streamed online. Listen live online at the Resonance 104.4fm website. Click on the play icons below for a download option.

June

Slade Transmissions 14/6/11

Claire and Tom set off to talk on the phone. Alan misses his fishes. People are told to get out of Wimbledon. The show is then massively hijacked by Tom’s trip to Croydon. Wind. Vibrant. Damp Coconuts.


Slade Transmissions 7/2/11

This Tuesday at 5 o’clock is cheese o’clock: A cheesy study into cheesy music with Dante Rendle Traynor.


May

Slade Transmissions 31/5/11

Vanessa Visual and Virginia Verbal take you on an ekphrastic tour of Charleston House in East Sussex where Vanessa and Clive Bell and Duncan Grant lived and worked.


Slade Transmissions 24/5/11

In a follow-up to the 22nd of March program, Ellen Kim and Will Saunders discuss issues surrounding art school admissions policies, fees, and seminars.

Slade Transmissions 17/5/11

What do you get when you mix Howlin’ Wolf, Tom Rees, Dante Rendle Traynor, Nick Hart, music, politics, Arthur Prior, Dantella, writing, Ambar Sethi, laughter, Will Saunders, and backwards? This.

Slade Transmissions 11/5/11

Helen C Benigson Aka Princess Belsize Dollar and special guest Mosie talk about love, music and everything in between.

Slade Transmissions 3/5/11

Will Saunders and Dante Rendle Traynor discuss the practice of ‘gibberish’.


April

Slade Transmissions 26/4/11

Bill McCool presents tracks from his ‘Concentrated’ collection. Produced by Will Saunders

Slade Transmissions 19/4/11

slade transmissions tom clark and claire boyd SPICY EYEBALLS dante sudocrem elephants funny irony sincerity idiotic downright cheeky jingle.. (Part 2)

Slade Transmissions 12/4/11

slade transmissions tom clark and claire boyd SPICY EYEBALLS dante sudocrem elephants funny irony sincerity idiotic downright cheeky jingle.. (Part 1)

Slade Transmissions 5/4/11

A bunged up Ian Chan breathes for half an hour.


March

Slade Transmissions 29/3/11

Lecture/performance given by artist Merlin Carpenter at The Slade, with ‘interventions’ by students at the school.

Slade Transmissions 22/3/11

Short stories, skits, rants, laments and jingles. With coverage from the UCL occupation of the registry and the UCU strike. Written, read and produced by Nina Prader, Tom Rees, Ambar Sethi, Harriet Poznansky, Arthur Prior, Zou Zhoa, Michael Lewis and an anonymous caller.

Slade Transmissions 15/3/11

Helen C Benigson Aka Princess Belsize Dollar presents a program on love, life and everything in between and plays some of her favourite music.

Slade Transmissions 1/3/11

Aaron Angell presents: ‘Unknown artists, unknown tracks’.


February

Slade Transmissions 22/2/11

Will Saunders reads his controversial ‘Thoughts on Art School’, followed by an absurdist Resonance FM studio improvisation by Slade students. Produced by Dante Rendle Traynor.

Slade Transmissions 15/2/11

Special feature on the ‘Platform 1’ event held at The Bloomsbury Theatre on the 2nd/3rd of February. Featuring work by Ellen Kim, Tom Clark, Lily Hawkes, Sophie Rose Askwith, Tom Rees and Jennifer Martin, along with “technical commentary” featuring Eve, Steve and Andreas. Produced by Dante Rendle Traynor and Tom Clark.

Slade Transmissions 8/2/11

Coverage of the ‘Arts Against Cuts’ British Museum teach in and work made by and given to Slade students. With Simon Werner, Gamaliel Rendle Traynor’s quartet, Claire Boyd, Dante Rendle Traynor, The Voolas, Tom Rees and The Golden Boys. Produced by Dante Rendle Traynor.


January

Slade Transmissions 25/1/11

Coverage of the continuing student demonstrations in the new year and work made by and given to Slade students. With ‘Ben’, Simon Werner, The Versatile Dreamers, eccentric performer Hugh Hughes, The Golden Boys, Laura Cooper, Tom Rees, Dante Rendle Traynor and Gamaliel Rendle Traynor. Produced by Dante Rendle Traynor.


December

Slade Transmissions 15/12/10

Recorded and produced inside the Slade occupation.

Coverage of the Slade occupation, the student demonstrations and work made by Slade staff and students inside the occupation. With Gary Woodley, Lauren Godfrey, Claire Boyd, RCA Students, Dante Rendle Traynor, Sharon Morris, Aaron Angell and Sophie Rose Askwith. Also featuring The Slade School re-performing Slade’s 1973 festive hit ‘Merry Xmas Everybody’. Produced by Dante Rendle Traynor.

Slade Transmissions 8/12/10

Recorded and produced inside the Slade occupation.

Intimate coverage of the Slade School Of Fine Art going into occupation and the student movement behind it. With Tom Clark, Sophie Lee, Mark MacGowan, Aaron Angell, Alex Springer, Dante Rendle Traynor and Tom Rees. Produced by Dante Rendle Traynor.

, Tuesday, 22 February 2011
Events, News, Works

How Much Did This Lot Cost? | Claire Boyd

How Much Did This Lot Cost (0:58)

Not the point.

, Thursday, 27 January 2011
Works

Feeding Song of the Nude Bolognaise Preparation Ceremony | Dante Rendle Traynor

Feeding Song of the Nude Bolognaise Preparation Ceremony (4:39)

Rare field recording from Flat 5, 49 Gray’s Inn Road in Central London.

, Wednesday, 26 January 2011
Works

Merry Xmas Everybody! | The Slade Occupation

Staff and students during the Slade Occupation perform a version of Slade’s 1973 festive hit, ‘Merry Xmas Everybody!’

Click on the play button below to download the track:
Merry Xmas Everybody! (3:46)

With the permission and encouragement of Noddy Holder and management.

, Friday, 10 December 2010
Works

Success | Claire Boyd

Success (0:52)

Soundtrack from a virtual fight.

Claire is in the undergraduate Media department at the Slade.

, Wednesday, 8 December 2010
Works

Lost | Lauren Godfrey

Lost (1:47)

This work was made while the artist was on exchange in Finland, lost in a forest and with no means of communication.

Lauren is in the undergraduate Sculpture department at the Slade.

, Saturday, 27 November 2010
Travel, Works

Soundtrack for a small exhibition | Aaron Angell

Soundtrack for a small exhibition

The artist describes several SF films from memory.

For further information, see http://www.aaronangell.com/

, Thursday, 8 July 2010
Works

From Neurotica to Antarctica | Simon Werner

Track One

Track Two

Track Three

Track Four

Four part ambient metal odyssey.

, Tuesday, 27 April 2010
Works

Whistle Jam | Dante Rendle Traynor

Whistle Jam excerpt 1, ‘Oi G’ (0’40”)

Whistle Jam excerpt 2, Choral Chanting (1’38”)

Whistle Jam excerpt 3, ‘Audience participation’ (0’34”)

Whistle Jam excerpt 4, ‘Look over the edge’ (2’15”)

Whistle Jam excerpt 5, ‘Wayne joins in’ (2’16”)

Whistle Jam excerpt 6, ‘Choral Chanting’ (4’27”)

The work consisted of Dante and collaborator, Guthrie, positioned at the top and bottom of the stairwell at Woburn, each with an amplifier and microphone. The two artists attempted to have first a musical then simply a normal conversation across the space, the massive amount of reverb confounding any attempts of coherence!

This piece was made as a performance/installation for The Voice and Nothing More, Slade Research Centre, January 2010.
Dante is currently studying Undergraduate Fine Art at the Slade, look out for more from him soon.

, Friday, 15 January 2010
Events, Works

Her Voice | Patricia Delgado

HERVOICE

Her Voice

‘Her Voice’ is an aural response to the print entitled: Sheet of Nineteen Heads in Small Circles (c. 1530-40) and was inspired by Julia Kristeva’s writings on the semiotic and the female voice. The sound-piece is a vocal progression that starts with word and symbolic language, moves into non-verbal sounds and the semiotic, and finally culminates in song.

While making this piece, I was concerned with the articulation of the female I-voice over the he/him of the male subject and the frustration at the constant return to the latter. Is the female ‘I’ only possible to formulate as the ‘I’ of difference, the ‘I’ of the other? I took refuge in song, but again encountered the problematic ambiguity of the singing voice: fetishised object for pleasure or the consuming self-enjoyment of feminine jouissance? Despite its theoretical struggles, I hope that ‘Her Voice’ retains an emotive impact and a refreshing intimacy.

This piece was made through collaboration with UCL Art Collections.
Patricia is a final year undergraduate at the Slade, look out for her degree show in May 2010.

, Monday, 30 March 2009
Works

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