SCEMFA is a research group at the Slade School of Fine Art. SCEMFA opened in 1995 and for the past 15 years has provided the opportunity for leading artists to focus on research into Electronic Media and Fine Art, contributing to debate on a national and international level for events, exhibitions, broadcasts, collaborations and online.
Susan Collins and Slade alumnus Conrad Shawcross are included in this exhibition about meeting points between science and art at the David Lopatie Conference Centre at the Weizmann Institute of Science curated by Cathy Wills. Included are 60 works by 34 artists from around the world; each investigates various aspects of science, theory and technology: genetics, alternative energy, research into the nature of the universe and more.
FutureEverything, taking place 12-15 May in Manchester UK. Expect world premieres of astonishing artworks, an explosive citywide music programme, visionary thinkers from around the world, and awards for outstanding innovations.
Serendipity City: The FutureEverything 2010 main exhibition, featuring architecture-inspired art, a curated selection of city-drifting iPhone and Android apps, jaw-dropping data visualisations including Martin John Callanan’s A Planetary Order, and a selection of FutureEverything 2010 Award nominees. The venue is The Hive (47 Lever Street, Manchester M1 1FN), a spanking new Northern Quarter location.
Sound waves broadcast in space and captured by powerful antennas. A steamy repetition creating an environment open to different contributions, pervaded by the energies of the artists themselves, who were invited to focus their attention on those deceitful mechanisms that are always in play at the interchange between infosphere and psychosphere. Different types of data, sounds and magnetism: all these elements poetically meet in multimedia, which is here the synesthetic melting pot of experimental sound compositions. This collective, which promotes the Radio Tower Xchange project, by connecting online performances and audio art events, wants to pay homage and at the same time criticize the “broadcasting philosophies”, embodied in the “symbolism” of radio towers themselves. Technologies for sharing that are evolving towards direct transmission, not “for the audience” but “from the audience” which, thanks to WiFi networks and the multiplication of “emission points” and the simultaneous demand for those inputs, pave the way to the emergence of new systemic chains. Neural Review.
The idea behind this event is both paying homage and a critique of the broadcasting philosophies and histories the radio towers represent, and an investigation into the evolving practice of unregulated online broadcasting. [Adam Hyde]
In 2007 Xchange network for alternative audio content providers and Net broadcasters celebrated its 10th anniversary. RTX event was co-organised by RIXC (Riga, Latvia) in collaboration with partners: Okno (Brussels/BE), Tesla (Berlin/DE), Ellipse (Tours/FR), Projekt Atol (Ljubljana/SI), and Performing Pictures / Interactive Institute (Stockholm/SE) in the framework of the project “Waves – electromagnetic waves as material and medium for arts” (2006-2007). Live audio and sound art contributions; Martin John Callannan. Sonification of You. Horia Cosmin Samoïla / Spectral Investigations Collective. VLF in Paris Jan-Peter E.R. Sonntag. Campa-Sacrow Nils Edvardsson. Power Lines in Sweden Clausthome. Solar Radio Station Superfactory. Ringsendungen live stream from Bratislava (elpueblodechina, Isjtar, Annemie Maes and code31) live stream from Brussels (Society of Algorithm) live stream from Orleans (GSA Psy Ops Soundsystem) stream from Ljubljana (DJ Woo and Fennesz) Support: Latvian State Cultural Capital Foundation, Latvian Ministry of Culture, Culture 2000
Data Soliloquies is a book about the extraordinary cultural fluidity of scientific data. A wide array of graphs, charts, computer models and other forms of visual advocacy have become inescapable fixtures of public science presentations, though they are often treated as if they were neutral ‘found objects’ rather than elaborate narrative constructions containing high levels of statistical uncertainty. Through a mix of essays and artworks, this witty and engaging book — the result of a collaboration between Richard Hamblyn and Martin John Callanan during their terms as writer and artist in residence at the UCL Environment Institute — examines the theatricality of scientific data display, while critiquing some of the poorly designed statistical wallpaper that surrounds so much public science debate.
Aglow was the first in a series of critical material encounters exploring an interdisciplinary approach to materiality, exploring luminescence as an electronic, synthetic and natural phenomenon at the macro and micro scale, as a scientific phenomenon and cultural material. This session was convened by Melanie Jackson and hosted by The Slade Research Centre at Woburn Square and the Material Culture Group, in the Department of Anthropology. This is an inter collegiate group from Birkbeck, Kings and UCL.