ISEA2010 RUHR Exhibition

20 August – 5 September 2010
Museum für Kunst und Kulturgeschichte Dortmund, Dortmunder Kunstverein, RWE Galerie, Dortmunder U, PACT Zollverein Essen and Duisburg-Ruhrort
Opening: 19 August 2010, 19:00

More than thirty international artists and artist groups urge visitors to the exhibition into new perspectives on environmental issues, questions of identity and discussions about the ever-present social-media. What does a human hair sound like? Which sight will capture your imagination? Who sets the rules in the digital world?

The ISEA2010 RUHR presents outstanding contemporary works of international media art and the current position of artistic entanglements with science and technology. It offers an overview of the most pressing issues and topics in media art. Divided between the cities of Dortmund, Duisburg and Essen are shown 29 works from 37 artists representing 16 countries in total.

Most of these works will be presented in the Dortmund Museum for Art and Cultural History. The works engage with topical themes such as climate change and the deconstruction of identity concepts, and revel in alchemical experiments.

With works by Siegrun Appelt (at), Eve Arpo & Riin Rõõs (ee), Lucas Bambozzi (br), Aram Bartholl (de), BCL (at/jp), Natalie Bewernitz & Marek Goldowski (de), Daniel Bisig (ch) & Tatsuo Unemi (jp), Juliana Borinski (br/de), Martin John Callanan (uk), Işil Eğrikavuk (tk), Verena Friedrich (de), Terike Haapoja (fi), Aernoudt Jacobs (be), Márton András Juhász & Gergely Kovács & Melinda Matúz & Barbara Sterk (hu), Yunchul Kim (kr), Thomas Köner (de), Mariana Manhães (br), Soichiro Mihara (jp) & Kazuki Saita & Hiroko Mugibayashi (jp), Krists Pudzens (lv), Christopher Salter (qc/ca), Bill Seaman (us), Saso Sedlacek (si), Mark Shepard (us), Charles Stankievech (qc/ca), Vladimir Todorovic (rs/sg), Bruno Vianna (br), Ei Wada (jp), Herwig Weiser (at), Norah Zuniga Shaw (us).

The World in 100 Years

The World in 100 Years
Ars Electronica Center, Linz, Austria
June 16th – September 19th 2010

“Everyone will have his own pocket telephone that will enable him to get in touch with anyone he wishes. People living in the Wireless Age will be able to go everywhere with their transceivers, which they will be able to affix wherever they like— to their hat, for instance …“
Robert Sloss: “The Wireless Century,” in: “The World in 100 Years,” Berlin, 1910

The new exhibition in the Ars Electronica Center Linz pays tribute to the creativity, courage and inventiveness of those men and women who have totally committed their energies, abilities and knowledge to a vision of the future. This exhibition surveys a 200-year time span: looking back at what people about a century ago anticipated for this day and age, and showcasing what contemporary thinkers foresee 100 years from now.

As proxies standing for all the visionaries and trailblazers who have worked on their respective „futures“ over the course of humankind‘s history, French writer, illustrator and caricaturist Albert Robida (1848–1926) and Belgian visionary Paul Otlet (1868–1944) occupy this exhibition‘s spotlight.

Bruce Herr, Katy Borner (USA), Wikipedia Visualization
Marjolin Dijkman (BE, NL), Wandering through the Future
Frederik De Wilde (BE), Hostage
Bruce Baikie (USA), Intelligent Solar Powered 3G-WiFi Broadband Access
Hans Frei (CH), Marc Böhlen (USA), Micro Public Places
Teresa Maria Buscemi (USA), electroStatic Architecture
Catherine Kramer (UK), Community Meat Lab
Ken Banks (UK), Frontline SMS
Open Sailing Crew with Cesar Harada (UK), Open Sailing
Tatsuya Narita (JP), Toaster to understand today’s weather
Doug Fritz (USA), Sajid Sadi (USA), Engaze
Brigitte Hadlich (DE), c.50p – 50. Breitengrad
Jonas Burki (CH), Sun_D
Takayuki Nakamura (JP), Wonderful World
Josh Schiller, James Tunick, Carrie Elston (USA), City of the Future
Martin John Callanan (UK), Location of I
Himanshu Khatri (IN), Aquaplay
shiftspace.org (USA). ShiftSpace
Martin Mairinger (AT), USED Clothing
Akio Kamisato, Satoshi Shibata, Takehisa Mashimo (JP), Moony

FutureEverything – Serendipity City

FutureEverything, taking place 12-15 May in Manchester UK. Expect world premieres of astonishing artworks, an explosive citywide music programme, visionary thinkers from around the world, and awards for outstanding innovations.

Serendipity City: The FutureEverything 2010 main exhibition, featuring architecture-inspired art, a curated selection of city-drifting iPhone and Android apps, jaw-dropping data visualisations including Martin John Callanan’s A Planetary Order, and a selection of FutureEverything 2010 Award nominees. The venue is The Hive (47 Lever Street, Manchester M1 1FN), a spanking new Northern Quarter location.

A Planetary Order (Terrestrial Cloud Globe)

A Planetary Order

A Planetary Order (Terrestrial Cloud Globe), a work made by Martin John Callanan while Artist in Residence at UCL Environment Institute will be at a number of exhibitions and conferences this summer.

ISEA2010 RUHR Exhibition, 20 August – 5 September, Dortmund, Germany

FutureEverything 2010, 12-15 May, Manchester, UK

7th International Conference Computer Graphics, Imaging and Visualization, Sydney, Australia

14th International Conference Information Visualization iV 2010, London

Computational Aesthetics 2010, London

A Planetary Order – Extraordinary Clouds

The UCL Environment Institute, Slade School of Fine Art, and David & Charles Publishers invite you to an evening reception to celebrate

the unveiling of Martin John Callanan’s A Planetary Order (Terrestrial Cloud Globe)

and the publication of Richard Hamblyn’s Extraordinary Clouds

on Tuesday 30th June 2009, 6:30-9:00pm
at the Main Quadrangle, University College London, Gower Street, London WC1E 6BT

Fourth Door Review no.8

front page of Fourth Door Review
Susan Collins in conversation with Sean Cubitt in the new issue of Fourth Door Review no 8 Hall of Risk.
Also features on artists, Chris Drury and Jem Finer; musicians David Sylvian and Harold Budd, and a special feature on the Alpine regional architectural culture of Graubunden, Switzerland and Vorarlberg, Austria; with Peter Zumthor, Valerio Olgiati, Dietmar Eberle, and Hermann Kauffmann. Also Juhani Pallasmaa interviewed, essays by architecture critic Jay Merrick and writer Jay Griffiths.

For further information please visit the Fourth Door website

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