Text Trends newspaper: Environmental

Text Trends newspaper environmental

The second issue of Callanan’s Text Trends newspaper, looking at environmental data, will be available in limited numbers from 14 January 2013 at The Open Data Institute.

Over the past twenty years, global climate change has emerged as the overarching narrative of our age, uniting a series of ongoing concerns about human relations with nature, the responsibilities of first world nations to those of the developing world, and the obligations of present to future generations. But if the climate change story entered the public realm as a data-driven scientific concept, it was quickly transformed into something that the ecologist William Cronon has called a ‘secular prophecy’, a grand narrative freighted with powerful, even transcendent languages and values. And though climate science can sometimes adopt the rhetoric of extreme quantification, it also — as has been seen throughout this book — relies on the qualitative values of words, images and metaphors. This can even happen simultaneously: during the discussions that led up to the IPCC’s Third Assessment Report of 2001, for example, a room full of scientists discussed for an entire week whether or not to include the three-word phrase ‘discernable human influence.’ Only three words, perhaps, but three extremely potent words (both qualitatively and quantitavely speaking), that between them tell a vast and potentially world-altering story.

Martin John Callanan’s ongoing Text Tends series offers a deadpan encounter with exactly this kind of quantification of language. Using Google data the series explores the vast mine of information that is generated by the search engine’s users, each animation taking the content generated by search queries and reducing the process to its essential elements: search terms vs. frequency of search over time, presented in the form of a line graph.

In the online manifestation of the Text Trends animations the viewer watches as the animations plot the ebb and flow of a series of paired search terms keyed into Google over the last ten years by Internet users around the world. In the case of the environment sequence featured here, pairs of words such as: ‘nature’ — ‘population’; ‘climate’ — ‘risk’; ‘consensus’ — ‘uncertainty’; ‘Keeling curve’ — ‘hockey stick’, spool out matter-of-factly, like a live market index, allowing the implied narrative content of these word comparisons (along with their accumulated cultural and emotional baggage) to play themselves out before us. In contrast to the hyperinteractivity of emerging news aggregators and information readers, Text Trends explores our perceptions of words presented as connotation-rich fragments of continually updated time-sensitive data.

As an investigation into both the generation and representation of data, Text Trends offers a visual critique of the spectacularization of information, a cultural tic that continues to generate the endless roll of statistically compromised wallpaper that surrounds so much public science debate, and which our book — Data Soliloquies — has in large part been about.

Richard Hamblyn
original version published in Data Soliloquies, UCL Environment Institute, 2009. ISBN 9780903305044

ISSN 2051-6126
ISBN 9781907829086

FutureEverything – Serendipity City

FutureEverything, taking place 12-15 May in Manchester UK. Expect world premieres of astonishing artworks, an explosive citywide music programme, visionary thinkers from around the world, and awards for outstanding innovations.

Serendipity City: The FutureEverything 2010 main exhibition, featuring architecture-inspired art, a curated selection of city-drifting iPhone and Android apps, jaw-dropping data visualisations including Martin John Callanan’s A Planetary Order, and a selection of FutureEverything 2010 Award nominees. The venue is The Hive (47 Lever Street, Manchester M1 1FN), a spanking new Northern Quarter location.

FILE Prix Lux – Voting now open

Martin John Callanan needs your vote… his work ‘I Wanted To See All the News From Today’ is a finalist in the first FILE Lux Prix for electronic and digital art.

To vote simply select the work ‘I Wanted To See All the News From Today’, enter your email address to vote, then verify your vote by clicking on the link you receive to your inbox.

FILE PRIX LUX has the intent of rewarding, motivating and stimulating the emergence of new talents in the area of electronic and digital languages. Since 2000, FILE – Electronic Language International Festival constitutes an international interdisciplinary platform for the development of innovative and creative projects in the area of arts and technologies. FILE is a cultural, nonprofit organization that promotes a reflection on the main themes of the global contemporary electronic-digital context, always in a transdisciplinary vision in the political complexity of our time’s cultural universe. For ten years now, FILE has collaborated, through exhibitions and symposiums, with the aesthetic-technological development that the new electronic-digital languages offer to contemporary cultures, as well as it has positioned Brazil in the world context of those new trends. In 2010, FILE will accomplish a long-awaited objective: to award to some of the projects an international prize in money.

Thank you!

Field Broadcast 8 – 16 May 2010

9 DAYS – 33 FIELDS – 33 ARTISTS

www.fieldbroadcast.org

Thirty-three artists will send live broadcasts from fields direct to your desktop. All works, whether video, animation, performance, sculpture or live data will be created in the field with no editing or post-production. Each broadcast will be viewed by a dispersed international audience, at office desks, in cafes, on trains and at kitchen tables.

To receive the field broadcasts go to www.fieldbroadcast.org and follow the instructions. Once you have installed the viewer application each broadcast will arrive directly to your desktop, through your internet connection, opening in a pop-up window.

Field Broadcast will be live for 24 hours a day from May 8th to May 16th. Times of individual broadcasts will not be published in advance. All broadcasts are live and will not be repeated.

Artists: Bram Thomas Arnold, Ed Atkins, Dave Ball, Christopher Bassford and Jonathan Ryall, Richard Bevan, Sara Bjarland, Martin John Callanan, Susan Collins, Dan Coopey, Alexander Costello, David Cotterrell, Michael Cousin, Juan Cruz, Sean Edwards, Simon Faithfull, Florencia Guillen, Hamilton, Southern and St Armand, Toby Huddlestone, Fritha Jenkins, David Kefford, Olivier Leger, Pernille Leggat Ramfelt, Neil Luck, Revati Mann, Elizabeth McTernan, Alex Pearl, Eric Rosoman, Jennie Savage, Rob Smith, Dan Walwin, Ian Whittlesea, Luke Williams, Laura Wilson.

Curated by Rebecca Birch and Rob Smith for PROJECKT in conjunction with Wysing Arts Contemporary Presents

www.fieldbroadcast.org

Rhizome
Networked_Music_Review

Heal’s Bicentenary

18 Slade students will be in residence within the windows of Heal’s Tottenham Court Road store until 7 February 2010. Including Alex Springer who built a vintage pinhole camera to take your photograph; Jayne Wilton creating the installation ‘Catching Breath’ where 200 breaths will be caught as copper plate etchings, acid washed and displayed to create a large scale collage; and Gavin Weber has taken a 1830s press from Slade to the Heal’s window to print on demand from wood blocks carved by many Slade staff and students: including a storm cloud… for you to buy

Kaidie in Nondon / Kai Syng Tan in London: Looking for the Meaning of Life 3.0 in 1000 days

A Rough Guide To (The Meaning Of A) Life 3.0: (Dis-)Locating Kaidie In Nondon. A 1000-day experiment 12.12.2009 – 09.09.2012: Climax with Kaidie at the Nodon Olympics!

Hello World,

My name is Kaidie, freshly born just over the weekend, but For the next 1000 days I am looking for the Meaning Of Life 3.0, which is the best of Life 1.0 (physical reality) + Life 2.0 ( imaginary and Web 2.0 realities). I will be updating you with image, music and text from the funky city of Nondon. Do travel with me – WRITE IN WITH YOUR COMMENTS ABOUT HOW I COULD MAKE THIS A MEANINGFUL LIFE 3.0! Subscribe to my feeds and follow me on Twitter to get ‘live’ updates of myterribly exciting Grand Tour! Come with me!

Your new (Facebook) Friend Forever (for the next 3 years!),
Kaidie

Follow Kaidie’s (mis)adventures in Life 3.0!
Follow Kaidie’s (mis)adventures ‘live’!
Watch Kaidie’s videos from Life 3.0!
See Kaidie’s images from Life 3.0!

Tim Head: Raw Material

Laughing Cavalier
Laughing Cavalier (still), Tim Head 2002

21 November 2009 to 9 January 2010

A major solo exhibition by Tim Head at Huddersfield Art Gallery.
The exhibition will showcase a selection of digital works, drawings and prints and will include a dramatic outdoor digital projection on the Library and Art Gallery building to coincide with the Huddersfield Contemporary Music Festival (until 29 November).

Admission free
Monday – Friday 10am–5pm
Saturday 10am–4pm
Sunday 22 and 29 November 10am–4pm
Closed all other Sundays and Bank Holidays

Huddersfield Art Gallery
Princess Alexandra Walk
Huddersfield
HD1 2SU

The exhibition will tour to Kettles Yard in Spring 2010

Slade MA/MFA Fine Art Show ’09 from 11–17 June

Thursday 11, Friday 12 June 10am–8pm / Saturday 13, Sunday 14 June 10am–5pm
Monday 15–Wednesday 17 June 10am–8pm

Edward Atkins, Katerina Botsari, Stephanie Conway, Patrizio Di Massimo, Nisha Duggal,
Jamie George, Ella Golt, Ananú Gonzales-Posada, Iain S. Hales, Jung-Ouk Hong,
Benjamin Jenner, Da Kyoung Jeong, Do Kyoung Kim, Joshua Kim, Susan Kordalewski,
Rebecca Kressley, Paolo Lonzi, Leah Lovett, Sarah Macdonald, Allison Maletz, Janne
Malmros, Kate McLeod, Katherine Murphy, Kjarten Abel, Gianni Notarianni, Hye Joung Park,
Sion Parkinson, Kate Keara Pelen, Robert Phillips, Matthew Robinson, David Rule,
Sepideh Saii, Ed Saye, Somayeh Seyed Mohseni, Kristin Sherman, Gunwoo Shin, Lisa Smithey,
William Stein, Helen Sturgess, Masako Suzuki, Damian Taylor, Melis van den Berg,
Patrick Ward, Richard Whitby, Tessa Whitehead, Sally Wright, Ben Youngman

The Slade School of Fine Art
University College London
Gower Street
London WC1E 6BT
Tel +44 (0)20 7679 2313

www.ucl.ac.uk/slade/degree2009

Seascape book

Charting the span of Susan Collins’ Seascape, from its earliest online manifestations to its gallery exhibition at the De La Warr Pavilion in Bexhill, a publication on the Seascape project has been produced by Film and Video Umbrella. The book features newly commissioned essays by Sean Cubitt and Nicholas Alfrey and includes an extensive colour plate section of archive seascape images.
The book is now available from the De La Warr Pavilion shop and other art bookshops. To order a copy online email books@fvu.co.uk

photo of Seascape bookphoto of Seascape bookphoto of Seascape book
ISBN 978-1-904270-30-0
visit www.fvu.co.uk for further details

Fourth Door Review no.8

front page of Fourth Door Review
Susan Collins in conversation with Sean Cubitt in the new issue of Fourth Door Review no 8 Hall of Risk.
Also features on artists, Chris Drury and Jem Finer; musicians David Sylvian and Harold Budd, and a special feature on the Alpine regional architectural culture of Graubunden, Switzerland and Vorarlberg, Austria; with Peter Zumthor, Valerio Olgiati, Dietmar Eberle, and Hermann Kauffmann. Also Juhani Pallasmaa interviewed, essays by architecture critic Jay Merrick and writer Jay Griffiths.

For further information please visit the Fourth Door website

Seascape

folkestone seascape
2009

A solo show presenting a new body of work by Susan Collins

opens on Saturday 4th April at the

De La Warr Pavilion, Bexhill-on-Sea
and continues until 14 June 2009

SEASCAPE consists of a series of gradually unfolding digital seascapes created using imagery captured by webcams installed at five key coastal vantage points between Margate and Portsmouth. Sited at each location for up to a year before the start of the show, the webcams record the endless fluctuations in the light that are a characteristic feature of the English coastline and whose ever-changing nature has attracted painters for generations.
Read more

SPRING UPDATE 2009 / THOMSON & CRAIGHEAD

Here’s what we’re up to in the next few weeks:

+ FRIENDS OF THE DIVIDED MIND. Royal College of Art, London, UK.
11am – 6pm Daily, 18th – 29th March 2009.
Private View 7 – 9pm Tuesday March 17th 2009

Works by: Juliette Blightman, Ruth Buchanan & Andreas Müller, Celine Condorelli & Gavin Wade, Simon Fujiwara, Dora Garcia, Jacob Kirkegaard, Celia Pym, Mandla Reuter, Thomson & Craighead. Salons hosted by Betsey’s Salon and Jon Wozencroft amongst others. We will be showing our railway flap sign version of BEACON as part of this exhibition organised by the graduating students of the Curating MA at Royal College of Art. More info here

+ ENGLISH LOUNGE, Tang Contemporary Art, Beijing, China.
16th March – 26th April 2009. Curator: Dr. Katie Hill

A Group Show of British Contemporary Art with works by: Adam Chodzko, Airside, Anthony Key, Corby & Baily, Langlands & Bell, Little Artists (John Cake & Darren Neave), Mad For Real(Cai Yuan & Xi Jian Jun), Martin Creed, Thomson & Craighead. We will be showing our documentary, ‘Flat Earth’ as an installation. A few pics here

+ FLICKER, British Council, Damascus, Syria
25th March – 25th April 2009

A British Council group exhibition of works in the collection at diferent venues across Damascus. Including works by: Tacita Dean, Susan Hiller, Wood & Harrison, Rachel Lowe, Rosalind Nashashibi and Thomson & Craighead. We will be showing a special version of ‘Decorative Newsfeeds’ we made especially for the British Council Collection. We will also be giving a lecture on our work in Damascus on March 30th 2009. More here

TIMECODE EXHIBITION

horizon

Jon Thomson & Alison Craighead will be showing a new gallery work called, ‘Horizon’ and their mechanical railway sign version of, ‘BEACON’ as part of the exhibition, ‘Timecode’ opening on 17th January 2009 at Dundee Contemporary Arts, Scotland. They have also made a limited edition print for the exhibition.

Here’s some more information about Timecode:

Timecode / Dundee Contemporary Arts
17 January 2009 – 8 March 2009
Private View: 16th January 7pm – 9pm

Ross Birrell, Graham Dolphin, Ceal Floyer, Douglas Gordon, Ilana Halperin, On Kawara, David Lamelas, Kelly Mark, Tatsuo Miyajima, Ugo Rondinone, Christian Stock, Thomson & Craighead

Each artist in the exhibition has an obsession with marking time but have very different ways of expressing this – live web streams, wallpaper, lumps of coal, lava medallions, digital code alongside more traditional, yet still idiosyncratic and highly personal approaches – graphite, watercolour and oil paint.

More info and downloadable press release here:
http://www.dca.org.uk/whats-on/exhibitions/timecode.html

More about our work here:
http://www.thomson-craighead.net

THE AMMONITE ORDER, Or, OBJECTILES FOR AN (UN) NATURAL HISTORY a demonstration exhibition by VINCE DZIEKAN.

Faculty Gallery
Faculty of Art & Design (G-Building)
Caulfield Campus
Monash University

The exhibition runs from 11 – 16 December 2008.
Opening Hours: Monday – Friday 10am – 5pm and Saturday 1 – 5pm.

A catalogue of associated material is available online at my new
website: www.vincedziekan.com

The artist acknowledges the support of the Faculty of Art & Design and
the Outside Studies Program (OSP) of Monash University.

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