Liz Rideal

Artist's Statement on New Work

Essay by Emmanuel Cooper

Recent Reviews

SEASONAL STILLS
Liz Rideal


The inspiration for these images is 17th-century Dutch still life and drapery painting, Andy Warhol and Donald Judd. I’m aiming at a combination of modern machine aesthetic bathed in a purely sensuous delight in the repetition of form and colour.


In this new work the coloured fabric cascades have led naturally to pieces reminiscent of swathes of folded kimono combined photographically with natural objects, often flowers.
Focusing on real cloths photographed prescriptively and repeatedly, I have built up works which have at their core a feeling of exuberant restraint and frugality of expression, formal and austere, and in this sense, Zen-like.


Now I am adding real objects - mostly natural, home grown and seasonal - and arranging them within the booth to form a satisfactory composition. The image is taken repeatedly by the camera.
In some of the works, for example ‘Japanese Snow’ the natural object is moved around so that each photograph of the final collaged piece is different, some images with parts out of focus and close to the lens, others catching a bloom ‘centre stage’.


In other works, the images are exactly the same and collaged together making tight rhythmic patterns. The backdrop colour and shape of drapery influences the way that the eye responds to the overall collaged image and the regularity of the object, for example the narcissi in a yellow vase, setting up another syncopation. With this particular example, the white flowers jump out at the viewer forming a vertical cascading garland.


Original unique photo-booth collages measure 8 x 6 ins (20 x 15 cm).
C-type enlargements, in editions of 3, measure 40 x 60 ins (102.5 x 130.5 cms).