Laura Cinti is a practicing artist working within the intersections of art, biology and nanotechnology.
The inter-relationship between race, power and language has been chronicled in various forms.
Mikhail Karikis' doctoral research was a methodological experiment, which employed academic writing, music composition and art practice to explore notions of the 'self' through the study of voice and sound.
My thesis examines work by Antonin Artaud, Henry Darger, Marcel Duchamp, and Pablo Picasso, with the intention of subjecting specific works by these artists to critical tests employing the idea proposed by Antonin Artaud's subjectile, that is a paradoxical fusion of both subject and object.
I create videos, sculptures and drawings that explore physical and mythical entanglements between humans and animals.
Can photographs of pain mediate the space between patient and clinician to facilitate improved communication and rapport in facial pain consultations? Can an exploration of facial pain inform our understanding of portraiture and vice versa?
The aim of Theresia Peng's PhD was to investigate questions concerning the cross-cultural analysis and utility of images in Tibetan Tantric Buddhist art, as opposed to political conflicts that often arise in the media now.
Kai Syng Tan's practice-related Fine Art thesis performs a discourse of ‘trans-running’ – running physically and poetically, and running as both subject and approach – as a playful methodology to transform our world today.
This research project examined the concept of mediated presence through the perception of inanimate images coming to life, and the converse experience of human actors becoming inanimate images, whilst interrogating how this might articulate, substantiate or defy belief.
In this practice-related study I use a range of play theory to examine the creative processes behind the work of Eduardo Paolozzi, Philip Guston and Tony Oursler.
A project exploring artistic process organized by Patricia Townsend and the Slade PhD students.