Laura Cinti is a practicing artist working within the intersections of art, biology and nanotechnology.
The inter-relationship between race, power and language has been chronicled in various forms.
Mikhail Karikis' doctoral research was a methodological experiment, which employed academic writing, music composition and art practice to explore notions of the 'self' through the study of voice and sound.
My thesis examines work by Antonin Artaud, Henry Darger, Marcel Duchamp, and Pablo Picasso, with the intention of subjecting specific works by these artists to critical tests employing the idea proposed by Antonin Artaud's subjectile, that is a paradoxical fusion of both subject and object.
I create videos, sculptures and drawings that explore physical and mythical entanglements between humans and animals.
Can photographs of pain mediate the space between patient and clinician to facilitate improved communication and rapport in facial pain consultations? Can an exploration of facial pain inform our understanding of portraiture and vice versa?
The aim of Theresia Peng's PhD was to investigate questions concerning the cross-cultural analysis and utility of images in Tibetan Tantric Buddhist art, as opposed to political conflicts that often arise in the media now.
Kai Syng Tan's practice-related Fine Art thesis performs a discourse of ‘trans-running’ – running physically and poetically, and running as both subject and approach – as a playful methodology to transform our world today.
This research project examined the concept of mediated presence through the perception of inanimate images coming to life, and the converse experience of human actors becoming inanimate images, whilst interrogating how this might articulate, substantiate or defy belief.
In this practice-related study I use a range of play theory to examine the creative processes behind the work of Eduardo Paolozzi, Philip Guston and Tony Oursler.
A project exploring artistic process organized by Patricia Townsend and the Slade PhD students.
To mark the 40th anniversary of John Cage's seminal publication Notations (Something Else Press, 1968-9) Notations 2008 presented a range of investigations into what notation is - and can be.
The aim was to present research themes, which could be productively explored in the space; basic notions which continually inform the production of art, and hence are key to the development of artistic research: Weight, Water, Touch, Body, Land, Air.
This project comprised six separate weeks of concentrated activity by clusters of graduate students electing to work under the respective umbrellas of specific research themes: speed, light, time, colour, scale and space.
Working with the Slade School of Fine Art, four artists – in China, Uganda, Israel and Australia –each filmed a 12 minute video in a locale connected to their work, under the title The View From Here.
The Voice and Nothing More (vanm), curated by Sam Belinfante and Neil Luck, is a week-long festival exploring the voice as both medium and subject matter in contemporary arts practices.
This was a two-day symposium of papers, films and panel discussions and the third in a series of yearly interdisciplinary student-run events, organised by the Slade School of Fine Art and the Bartlett School of Architecture.