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    A black framed photo print on a white wall. It contains a badly Photoshopped image of Ryan Gosling vaguely helping a chef (an Asian person with in a chef’s jacket and hat, grinning at the camera) tend to the open flames from the pan on their left. There are more framed prints that have been cut off, revealing the chef also with Paul Mescal and Jacob Elordi.
    Caption
    Wall of Fame (detail), Annie Lee, 2024 - ongoing, Framed photographs of various restaurant visitors with the chef, including white males Ryan Gosling, Jacob Elordi, and Paul Mescal. Part of a wider restaurant installation/experience. Dimensions infinite.

    ©the artist

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    A glossy open potato-shaped bowl on a plain white background. The bowl has a brown potato-skin like outside and a soft cream inside.
    Caption
    Potato bowl, Annie Lee, 2024, glazed handbuilt earthenware. 15 x 12 x 5 cm

    ©the artist

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    A birds-eye view photograph of various printed script extracts on a white dirty tablecloth amongst metal cutlery, paper napkins, and ceramic plates.
    Caption
    Restaurant (post-performance documentation), Annie Lee, 2024, interactive stageplay script extracts double-functioning as meals and menus, handmade ceramic dishes, cutlery, breadcrumbs, soup stained tablecloth, napkins, happy fulfilled bellies, pondering minds.

    ©the artist

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    Photograph of a colourful vegetable soup simmering in a metal saucepan. A spoon handle with the writing ‘COMPLIMENTS TO THE CHEF’ etched onto it.
    Caption
    ABC soup, compliments to the chef, Annie Lee, 2024, chef’s own take on an ABC soup, the sounds of vegetables simmering away softly, soothing and soupy smells wafting about, a peek of a hardground etching on a stainless-steel spoon. Accompanied by fresh homemade bread, recipe, and performance by request. Dimensions edible, duration approximately 1 hour 20 minutes

    ©the artist

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    Three photographs. The top one of a wooden rolling pin with mismatched sized handles. The middle is the rolling pin used by two people to roll out a circle of dough on a light blue worktop. The bottom one is of 5 cooked bao in a wooden steamer basket.
    Caption
    Rolling pin for parent and child (with vegan ‘char siu’ bao on the side), Annie Lee, 2024, woodturned soft pine. Activated by hands, memories, family, talking, and time. Accompanied by flour, sugar, baking powder, yeast, oil, water, mushrooms, tofu knots, tamari, dark soy sauce, hoisin sauce, sesame oil, salt, white onion, garlic, ginger, vegetarian mushroom stir fry sauce, Chinese five spice, cornstarch, steam, and everything in between.

    ©the artist

Annie Lee – BA/BFA

Based in London, often in bed.
My practice spans cooking, pranking people, and holding (introverted) celebrations, with participatory performance, writing, and installation… amongst other media such as photography, drawing, printmaking, and ceramics. I am interested in relationships between people, bodies, and environments, and the normative ideas and frameworks that we encounter every day. My work uses humour, silliness, and discomfort to reckon with deep feelings of (not) (be)longing, otherness, and awkwardness. I approach making work with Rest and Care in mind, which often manifests itself in multi-sensory, ‘fun’, and very-hard-to-describe-but-hopefully-in-a-poetic-kind-of-way experiences.