Slade School of Fine Art

UCL

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<p>Spectrum of Domestification, 2011, Body Bronzer /Domestos /Femme Fresh /Herbal Essence /Baby Cream /Baby Oil /Toothpaste /Antifreeze / Harpic /Carex /HibiScrub /Fairy Liquid /Red Clay /Carrot Juice /Orange Juice /Beetroot Juice on Tracing Paper, 75 x 650  cm</p>

Spectrum of Domestification, 2011, Body Bronzer /Domestos /Femme Fresh /Herbal Essence /Baby Cream /Baby Oil /Toothpaste /Antifreeze / Harpic /Carex /HibiScrub /Fairy Liquid /Red Clay /Carrot Juice /Orange Juice /Beetroot Juice on Tracing Paper, 75 x 650 cm

Patterns For Living (no 3-6), 2012, drawings/prints/collages, installation detail, dimensions miscellaneous
Patterns For Living (no 3-6), 2012, drawings/prints/collages, installation detail, dimensions miscellaneous
<p>Patterns for Living (no 7-11), 2012, mixed media with cardboard, 160 x 55 x 75 - 85 cm</p>

Patterns for Living (no 7-11), 2012, mixed media with cardboard, 160 x 55 x 75 - 85 cm

Patterns for Living (Wearables), 2013, cardboard, fabric, stitching, drawing, coat hangers, coat stand, dimensions miscellaneous
Patterns for Living (Wearables), 2013, cardboard, fabric, stitching, drawing, coat hangers, coat stand, dimensions miscellaneous
<p>Seams (Rehanged), 2013, performance, documentation stills</p>

Seams (Rehanged), 2013, performance, documentation stills

<p>Seams (Wearables), 2013, fabric on wooden frames, dimensions miscellaneous</p>

Seams (Wearables), 2013, fabric on wooden frames, dimensions miscellaneous

Anja Borowicz

Anja's interests centre around our encounters of spatial situations, sense of identity and home. Her practice takes form of mise-en-sc`ne arrangements that overlap the languages of sculpture, performance and architecture. Recent works investigate possibilities of negotiating oneself over multiple structures and layers of activities. Loss of fixed site (home‑less‑ness) is offset by mapping out temporal situations using subtle interventions and performative gestures. Cleaning and beauty products are used to demarcate personal spaces. De‑constructed and re-constructed clothes and packaging become "emaciated" sculptural forms that can no longer shield an anonymous body. Spaces of domestic activity, intellectual investigation and artistic gesture become superimposed on top of one another.

http://anjaborowicz.blogspot.co.uk/

anjaborowicz@yahoo.co.uk