A Felt Experience, 2010, felted wool, balsa wood and kryptonite bike lock, installation. Bicycle pedal and chain, Bloomsbury Festival, Argyle Square
Raw Material, 2011, felted wool and balsa wood, installation. Bicycle Parts (work in progress), Slade School of Art
Universal Power Supply, 2010, felted wool and balsa wood. Wool travel adapters on plinths designed for video monitors, Woburn Research Centre
Universal Power Supply, 2010, felted wool and balsa wood. Wool travel adapters on plinths designed for video monitors, Woburn Research Centre
A Conversation Piece, 2010, painted text on two shutter doors. Painted text on two shutter doors, Test Bed Project Space
My work explores the subjectivity of everyday life, the multiple interpretations that a work might evoke and the relationship between an artwork, its context and its viewership. The interaction between concept (image, object or text) site (the location in which a work is made and the place in which it is exhibited) and audience (the people who will be exposed to the work) is my main point of departure. The underlying specificity is connected with notions of function and dysfunction in relationship to the concept, site and audience.