- Italian Merchants Abroad and the Use of Foreign Languages, 14th-16th Centuries
- Il fantastico femminile: una questione di genere
- Centre Stage Series: Rehearsing Translation
- Il "New Italian Realism": genesi, caratteri, dibattito (2008-2013)
- L'ermetismo: una generazione
- Centre Stage Series: Commedia dell’Arte: From Street to Salon
- Centre Stage Series: Not Pierrot, More Pirandello!
- "Porte aperte": la mafia, il fascismo e la polizia negli anni Trenta
- Fascism’s Mediterranean Empire: Occupation, Governance and Italian Colonial Modernity in the Dodecanese Islands (1923-43)
- Centre Stage- Homage to Franca Rame: Actress, Writer, Activist
- From Phantasmagoria to Science!
- An Appointment with Dante
- Combating Ransom Kidnapping in Modern Italy: Magistrates, Memoirs, Media
- Lampedusa: Migratory Space, Memory and Aesthetics
- Le parole tra gli uomini
- From the Grotesque to the Galilean: Margherita Costa and the Spectacle of Baroque Female Dramaturgy
- The Many Lives of Inspector Montalbano
- Letteratura italiana e Riforma protestante: un incontro impossibile?
- Le epigrafi di Poggio Mirteto: la scoperta di una lauda di inizio Trecento
Fascism’s Mediterranean Empire: Occupation, Governance and Italian Colonial Modernity in the Dodecanese Islands (1923-43)
Publication date: Mar 4, 2014 9:31:04 AM
Start: Mar 19, 2014 12:00:00 AM
Valerie McGuire (European University Institute)
From the time of conquest during the Italo-Turkish War (1912) until the 1943 armistice when the nation was forced to relinquish all claims to colonies abroad, Italy’s various radical ideologies held the Dodecanese Islands up as the “pearl” of its Mediterranean empire. Historians invest Italy’s expansion into these islands as merely strategic. This talk rethinks that premise by discussing artefacts that characterize Italian rule of the islands: public works of architecture; propaganda in film; photography; travel literature; and programs to educate the next-island generation in Italian language and Fascist culture. Fascist Italy’s effort to refashion the legend of its ancient dominance of the Mediterranean and foil its backwater reputation resulted in a unique project of national and colonial modernity.