People
- Susan Anderson
- Sabina Andron
- Alan Ashton-Smith
- Matthew Beaumont
- John Bingham-Hall
- Jonathan Black
- Kasia Boddy
- Iain Borden
- Doris R. Bremm
- Anna Brownsted
- A.S. Byatt
- Ben Campkin
- Luke Davies
- Andy Day
- Max Dewdney
- Claire Dwyer
- Mark Ford
- Salena Godden
- Sebastian Groes
- Christopher Hartley
- Alan Hollinghurst
- Sophie Hoyle
- Anne Hultzsch
- Matthew Ingleby
- Thomas Jenkins
- Kyran Joughin
- Chee Kit Lai
- CJ Lim
- Laura Ludtke
- Sarah Maguire
- Ali Mangera
- Yeoryia Manolopoulou
- Isaac Marrero-Guillamon
- Richard Morgan
- John Mullan
- Alex Murray
- Daljit Nagra
- Chris Petit
- Hilary Powell
- Alex Preston
- William Raban
- Ruth Richardson
- David Roberts
- Rebecca Ross
- Justine Sambrook
- Will Self
- Nick Shepley
- Iain Sinclair
- Joy Sleeman
- Isabelle Southwood
- Hugo Spiers
- Michael Stewart
- Adam Thirlwell
- Amy Thomas
- John Timberlake
- Will Tosh
- Danielle Willkens
- Hope Wolf
2012 Highlights
Sabina Andron
1 May 2012
Sabina is an advocate of images who thinks through words. She comes from a background of comparative literature, theatre studies and visual culture, and is currently a PhD candidate in urban visual culture at the Bartlett School of Architecture. She also writes and copywrites as a freelancer, mainly for art and product.
Abstract: This Is Not Graffiti: A Geosemiotic Look at Hybrid Surface Inscriptions
My proposal is a focus on images in the city, an exercise into urban visual culture based on the observation of urban surfaces. Instead of using the categories of the sanctioned (like street and shop signs or advertising posters) and the unsanctioned (with its aesthetic categories like graffiti and street art), this presentation will look at their intersection, namely the territory of hybrid surface inscriptions.
I focus my readings on several visual examples of such inscriptions, where the boundaries between the sanctioned and unsanctioned start getting blurred and produce a new form of visual and textual expression. I believe this expression characterises our contemporary urban culture, so I am trying to define it and understand its components in relation to space, language and visuality. As these mixed types of interventions have a close connection to their spatial support, I look at them through a place oriented semiotic reading (geosemiotics).
What I propose is a starting point for a reassessment of the way in which we categorise and speak about the visuality of our cities. Based on some visual examples I have collected throughout the years, I will demonstrate the necessity of conceptualising these “hybrid surface inscriptions”, while placing them in the material world through vivid and relevant case studies.


