UCL Art Museum
- 18th and 19th-century British works of art
- The John Flaxman Collection
- Old Masters Prints
- Old Masters Drawings
- Painting collections
- Slade School Drawings Collection
- Top ten objects
- St Michael Overcoming Satan
- 2. Domestic Affliction. Monument to Lady Shuckburgh-Evelyn
- The Lord's Prayer: Deliver us from evil. Monument to the Baring Family
- A Brahmin and a Mohammedan in earnest converse for their country’s good. Monument to Major General Sir Barry Close
- The Four Founders of UCL
- The Nativity
- Under Milk Wood
- Moses and the Brazen Serpent
- Female figure lying on her back
- Marmor Homericum
- A Prospect of the City of Rome from Monte Gianicolo
- Rustic Scene: Villagers Dancing, 1925, Rex Whistler (1905 – 1944), Mural
- Lightbox content
- The Flaxman Gallery
- Tour listings content
- Our staff
- What's on
- Professional use
St Michael Overcoming Satan
UCL Museums Top Ten Objects: UCL Art Museum
St. Michael overcoming Satan, 1819-24, John Flaxman (1755 – 1826), Plaster model (See full image)
Location: Directly under the UCL Dome in the Flaxman Gallery, UCL Main Library
Centrepiece of a unique Victorian installation of plaster models, this sculpture of the archangel battling his foe is the final masterpiece of this acclaimed artist.
This full-scale plaster model was a preparation for a marble sculpture for the 3rd Earl of Egremont. The work is still in place at his family’s estate: Petworth House . One of Flaxman’s contemporaries, the sculptor Richard Westmacott (1775 – 1856), celebrated this piece as ‘the most distinguished proof of Flaxman’s powers of heroic composition.’
Flaxman based the composition of this sculpture on Raphael’s painting of St. Michael (1518), in the Louvre , portraying the archangel as a graceful youth, serene and calm as he lifts his spear ready to strike his foe, pinned under his left foot.
After the Denman Gift of Flaxman’s work to UCL in 1847, a public appeal raised funds from over 140 subscribers, including Prince Albert, to restore and display the casts. Thomas Donaldson, who was then designing the Main Library, decided to display a selection of the casts along the walls of a new staircase and octagonal vestibule under the dome leading up to the library. St. Michael became the focal point of this decorated octagonal hall, known today as the Flaxman Gallery. The sculpture served to unite William Wilkins’ earlier entrance portico with Donaldson’s Library under the University’s iconic dome.
The Story of St. Michael
Described as the great protector in the Book of Revelation, St. Michael is God’s chief warrior in the heavenly fight against Satan.
The scene depicted in this sculpture is from the battle which ensued when Lucifer – the ‘Light Bearer’, ‘Morning Star’ and chief of all the angels – led a third of God’s angels in rebellion. Michael was loyal to God and led the remaining angels against Lucifer, whom he defeated and cast into hell. Michael was made the chief of all angels as a reward for his loyalty, and is considered by Catholic Church to be a saint. Following his Fall, Lucifer became Satan – ‘The Adversary’ – and rules over the other fallen angels in hell. He awaits the battle at the end of time when he will meet St. Michael and the armies of God once more.
St. Michael overcoming Satan, 1819-24, John Flaxman (1755 – 1826), Plaster model