History of the Petrie Museum
The beginnings of the museum
The Petrie Museum is a university museum. It was set up as a teaching resource for the Department of Egyptian Archaeology and Philology at University College London (UCL). Both the department and the museum were created in 1892 through the bequest of the writer Amelia Edwards (1831-1892).
Amelia Edwards donated her collection of several hundred Egyptian antiquities, many of historical importance. However, the collection grew to international stature in scope and scale thanks mainly to the extraordinary excavating career of the first Edwards Professor, William Flinders Petrie (1853-1942).
Petrie excavated literally dozens of major sites in the course of his career, including the Roman Period cemeteries at Hawara, famous for the beautiful mummy portraits in classical Roman style; Amarna, the city of king Akhenaten, sometimes called the first king to believe in one God; and the first true pyramid, at Meydum, where he uncovered some of the earliest evidence for mummification. In 1913, Petrie sold his large collection of Egyptian antiquities to UCL, thus creating one of the largest collections of Egyptian antiquities outside of Egypt. The collection and library were arranged in galleries within the university and a guidebook published in 1915. Most of the visitors were students and academics; it was not then open to the general public.
Petrie retired from UCL in 1933, though his successors continued to add to the collections, excavating in other parts of Egypt and the Sudan. During the Second World War (1939-1945) the collection was packed up and moved out of London for safekeeping. In the early 1950s it was brought back and housed ‘temporarily’ in a former stable building, where it remains today (click here for information on visiting the museum).
Its outstanding importance
The export of antiquities from Egypt and the Sudan is now illegal and the collection – of around 80,000 objects – has ceased to grow. Its importance was officially recognised in 1998 when it was designated by the UK government as ‘of outstanding importance’. With the help of government funding the museum has made the entire collection accessible in an online catalogue.