- Dr Lora Koycheva



Mailing & Discussion List

Contact the UCL Mellon Programme

Andrew W Mellon Foundation

UCL homepage



UCL Mellon Programme: Interdisciplinary Seminar 2008-2009

Seminar: 24 October 2008 (Chair: Cüneyt Çakirlar, more ... )

A screening and discussion of Edward II (dir. Derek Jarman, 1991) 90 mins


Edward II was written by Christopher Marlowe in 1591. The play begins with the death of King Edward I, followed by the accession of his son Edward II to the throne and his queer-homosocial relationship with Piers Gaveston who was banished from the kingdom and re-invited by Edward II just after the death of the father: ‘My father is deceased, come Gaveston!’ the first line says. Marlowe’s drama is a story of love, revenge and ambition. Derek Jarman’s cinematic adaptation of Marlowe’s play not only pastiches but also strategically exploits the original text by means of his filmic imagery. Jarman’s film, regarded as the ‘epiphanic moment’ of the 1990s’ New Queer Cinema, is an attempt to update, to re-fictionalize, the history with contemporary queer eyes.

Suggested reading

Aaron, Michele (ed.). New Queer Cinema: A Critical Reader ( Edinburgh: Edinburgh University Press, 2004).

Armstrong, Raymond. ‘More Jiggery that Pokery: Derek Jarman’s Edward II’, British Queer Cinema, edited by Robin Griffiths ( London: Routledge, 2007), pp. 145-56.

Arroyo, José. ‘Death, Desire and Identity: The Political Unconscious of “New Queer Cinema”’, Activating Theory: Lesbian, Gay, Bisexual Politics, edited by Joséph Bristow and Angela Wilson (London: Lawrence and Wishart, 1993), pp. 70-96.

Tweedie, James. ‘The Suspended Spectacle of History: The tableau vivant in Derek Jarman’s Caravaggio’, Screen 44:4, 2003, pp. 379-403.

Viegener, Matias. ‘Men Who Kill Boys and the Boys Who Love Them’, Critical Quarterly 36:1, 1994, pp. 105-14.

This page last modified 26 September, 2012 by UCL Mellon Admin

Book cover: Muamma

Book cover: Unpacking the collection

imag: book cover, Federica  Mazzara

Discursive Constructions of Identity in European Politics

Singing Poets: Literature and Popular Music in France and Greece (1945-1975)

Northern Constellations: New Readings in Nordic Cinema by Claire Thomson, UCL Mellon Fellow (2004-2006)

Mediating the Nation by Mirca Madianou, UCL Mellon Fellow (2002-2004)

University College London - Gower Street - London - WC1E 6BT - Telephone: +44 (0)20 7679 2000 - Copyright © 1999-2005 UCL

Search by Google