Fabric-Based Approaches and Ceramic Petrology
Principal Investigator:
Evangelia Kiriatzi (Fitch Laboratory, BSA)
| Geological map of Kythera (based
on IGME 1966) with all sampling locations and some of the main
clay sources (black circles). |
A sophisticated methodology, based on integrated fabric analysis,
has been adopted for the study of KIP survey pottery. The aim has
been for surface pottery to be treated not only as index of date,
function and site size and formation, but also as evidence of past
social and technological dynamics. Such an approach justifies the
systematic collection of large samples of material, not just a selection
of feature sherds, and further enhances our understanding of various
aspects of landscape histories. In the Aegean, Jennifer Moody pioneered
the use of fabric as a diagnostic for surface material (Sphakia
Survey - Fabric Research), an approach also taken up by others
mainly in Crete. In KIP, the study of survey pottery draws upon their
work but goes further to combine this approach with the systematic
application of ceramic petrology and pottery raw material prospection.
In doing so, it provides a powerful tool, not only for dating, but
also for understanding patterns of pottery production, supply and
consumption within specific natural and cultural landscapes through
time. Emphasis has been placed initially on the coarse wares, since
coarse fabrics can be more safely identified and classified macroscopically
than fine ones. Up to now this approach has been successfully applied
to the study of prehistoric material from Kythera. The analytical
method employed has been petrographic analysis with thin sections
since this method fits very well the analysis of coarse wares and
can be very efficiently applied to the study of technological issues,
apart from compositional ones. Moreover, it can be easily and meaningfully
combined with the macroscopic examination of pottery since the analytical
results can be directly related to macroscopic observations. The research
has evolved at three different levels, of which the first two lay
the groundwork for the third.
Level 1: Creating a fabric typology for Bronze Age Kythera
The first level, prior to the survey, concerned the study and subsequent
analysis of pottery from a large, excavated and at least partly stratified,
control site on the island, namely Kastri. Habitation on the site
spanned from the Final Neolithic to the Mycenaean period, then to
Classical and Late Roman, with slight Middle Byzantine activity. Well-dated
and stylistically studied pottery from the Kastri phases provided
both an insight into diagnostic features liable to survive prolonged
exposure to surface erosion and, of more interest in the present context,
allowed the establishment of a period-specific fabric series, initially
at a macroscopic level. A similar emphasis has also been placed on
understanding patterns and ratios of co-existing fabrics within given
chronological horizons. Up to now, the analysis has concentrated mainly
on the prehistoric periods. Five main fabric types of coarse wares
have been identified at Kastri:
1. Chert fabric
2. Orange Micaceous fabric
3. Sand-tempered fabric
4. Mudstone-tempered fabric
5. Red Micaceous fabric
The use of the above fabrics at Kastri is associated with specific
periods (e.g. the coarse ware chronology table in the Prehistoric
section) and specific types of pottery.
Level 2: Raw material prospection and replication of ancient
fabrics
Apart from the definition and characterisation of period-specific
fabric types, ceramic petrology also addressed the technological and
provenance study of these fabrics through intensive prospection and
sampling of potential local resources for pottery production throughout
the island. A large number of samples were collected and analysed,
including clays, soils, sands and rocks (map above left). Subsequent
laboratory experimentation with the collected samples and their comparative
analysis led to the replication of the main ancient fabrics. Moreover,
ethnographic research has been carried out on modern concepts and
uses of ceramic resources on the island by local potters and inhabitants,
in order to gain an insight into their concepts of the island's landscape
and the raw materials and techniques available to them in the social
and historical context of the early to mid 20th century. This combined
approach has enhanced significantly the understanding of the technological
choices made by the ancient potters within the island's landscape.
The results can be summarised in the following:
The Orange and Red Micaceous fabrics are closely
associated with the red-firing, mica schist clays encountered in the
northern part of the island (map above left), representing, though,
different technological choices concerning the selection and processing
of raw materials within the same geological area.

| Diagram showing a reconstructed
fabric recipe for mudstone tempered pottery and the distribution
of necessary resources on the Kytheran landscape. Photography
by E. Kiriatzi 1998. |
The Sand-tempered and Mudstone-tempered
fabrics reflect similar clay paste preparation technologies, having
a clay base similar to the Neogene clays of the central and southern
part of the island (map above left). In both the latter fabrics, temper
has been added to the fine calcareous clay base. Experimentation with
locally available raw materials and comparative analysis have indicated
that sources of appropriate tempering materials are located within the
broader Kastri-Palaiokastro area and assisted in understanding differential
technological choices concerning the above materials. All the above
fabrics seem to have been produced on the island. Nevertheless, some
of the techniques used in the preparation of the clay paste (i.e. sand-tempering)
find close parallels in certain areas of Crete. Furthermore a small
number of imports has been identified across the BA phases and have
been safely attributed to specific production locations (e.g. certain
areas in Crete, below right, and the Cyclades).

| Fabrics, as seen in thin
section, of two imports from south central Crete (Kastri deposit
beta). Photography by E. Kiriatzi 1998. |
Level 3: The study and analysis of the survey pottery
The results of the above work have had significant implications for
the study of the survey pottery enabling us to start reconstructing
quite dynamic 'ceramic landscapes' for several periods of the Bronze
Age. First, they provide a more reliable chronological framework for
understanding settlement distributions. The fabric typology, as defined
on the basis of the Kastri pottery, combined with certain types of
morphological features, has proved to be a very efficient tool for
dating the survey pottery even in the case of otherwise undiagnostic
body sherds. Looking, for example, at the large number of Second Palace
period farmsteads across the Kytheran landscape, the study of the
frequency and combination of fabrics, in each case, has made possible
the demonstration that not all of them had precisely the same time
span. Such resolution forms the basis for Andrew Bevan's micro-analysis
of rural settlement patterns (Second Palace
farmsteads). Similarly, the millennium-long EBA has been broken
down into discrete and more analytically useful sub-periods. Second,
beyond dating, this approach provides many insights into aspects of
pottery production and supply across the island through time. More
specifically, on the basis of fabric and technological study and analysis
of the survey pottery, it has been possible to explore ancient potters'
perceptions of the island's landscape, their material selection strategies,
their potting traditions (in terms of both clay recipes and vessel
forming techniques), the mechanisms of distribution within the island
and patterns of consumption, thereby taking the study of pottery production
and circulation well beyond the simple dichotomy between the local
and the imported vessels. Shifts in these patterns through time are
evident, and shed light on crucial questions concerning producers'
and consumers' cultural identities, changing economic practices, the
issue of craft specialisation, and the definition of regions within
and beyond the island.