- A Language in Search of Its Author: The Early Modern Beginnings of Modern Hebrew
- BOOK LAUNCH: Sport and British Jewry, 1890-1970
- Simon Wiesenthal Memorial Lecture - Perpetrators, Collaborators, Resisters, Bystanders: The Shoah in Greater Bulgaria, 1943
- We Are Here: Memories of the Lithuanian Holocaust
- Identity through Difference: Rabbinic Judaism and Christian Narrative
- Fighting a Specter in Times of War: Soviet Jewry and the Heroization of Bogdan Khmelnitsky
- Summer Conference 2013
- Summer Lecture
- Marc Michael Epstein Lecture
- Kenneth Sacks Lecture
- Institute of Jewish Studies Summer Concert
- An Extraordinary Archive: Emanuel Ringelblum and the Warsaw Ghetto
- Jewish Identity and Israeli Foreign Policy
- Sephardim, Holocaust and Diasporic Memory: the Jews from the Island of Rhodes
- Rescue during the Holocaust: Sources and Causes
- David to Nehemiah: new fragments from Kenyon’s Jerusalem
- Book Launch: Ruta's Closet
- The Amazing Adventures of a Hebrew Manuscript from Medieval England
- My Father the Good Nazi: Reflections on an Encounter
- First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-1946
- Ukrainians, Jews and Poles: The Ukrainian Triangle in Historical Perspective
- Bringing the Dark to Light – Memory of the Holocaust in Postcommunist Europe
- Blair, Labour and Palestine: Conflicting Views on Middle East Peace After 9/11
- Jews and the Making of the Modern Cultural Industry
- Vision 2020: Leading British Jewry into the Future
- Redcliffe Salaman, President of the Jewish Historical Society of England
- From Ambivalence to Betrayal: The Left, the Jews and Israel
- The Postwar Quest for Justice: Jewish Honor Courts in Poland and in the Displaced Persons’ Camps
- What's Jewish About Jewish Folklore?
- Can Judaism restore the ‘Human’ to Human Rights?
- Christóbal Méndez alias Abraham Franco Silveyra: The Puzzling Saga of a 17th Century Converso
- Jewish Women Writers in Victorian England
- Defining Jewish Medicine
- The Ambiguity of Virtue: Gertrude van Tijn and the Fate of the Dutch Jews
- How Jesus celebrated Passover –Early Modern Views of the Last Supper
- "...And Thereafter: the impact of World War One on the Jews and their Europe"
- Empires, Nationalisms and the First World War
- Hunt for the Jews: the Case of Occupied Poland, 1942-1945
- The Man who never threw anything away: Moses Gaster and his World
- Jewish and Christian Tombstones from ancient Zoara/Zoora
- Royal Jews: Jewish Life in Berkshire from the Readmission Till Today
- The Jews in Congress Poland: At The Dynamic Centre of Political, Economic and Cultural Change
Institute of Jewish Studies Summer Concert
Publication date: May 24, 2013 09:58 AM
May 28, 2013 06:30 PM
End: May 28, 2013 09:45 PM
Location: Wilkins Haldane Room, Wilkins Building, UCL, Gower Street, London, WC1E 6BT
Piano virtuoso Jonathan Powell performs works to celebrate the bicentenary of Charles-Valentin Alkan.
2013 sees the
bicentenary of the birth of one of the most extraordinary pianists and composers
of the 19th century - Charles-Valentin Alkan, perhaps the only one of
the Jewish musicians of his era to incorporate his Jewish musical heritage in
A friend and colleague of both Liszt and Chopin, Alkan retreated from the concert platform after the 1850s, only to emerge from his self-imposed obscurity twenty years later to astonish and inspire a new generation, including Camille Saint-Saens and Vincent d'Indy.
The virtusoso pianist Jonathan Powell plays some of the Preludes which Alkan wrote inspired by his Judiasm, and also Alkan's fiendish masterpiece, the colossal Concerto for Solo Piano. Between them he plays the 'Fantasia Contrappuntistica' of the Jewish-descended Feruccio Busoni, one of the few champions of Alkan's music in the decades after his death.
Admission free - there will be a voluntary retiring collection for the pianist
concert is supported by The Alkan
By David Conway, author of 'Jewry in Music' (Cambridge University Press, 2012), based on his doctoral research at UCL, and the most recent evaluation in English of Alkan and his music.
- Alkan: Selection of Preludes from op. 31 (c. 20 mins, Busoni: Fantasia contrappuntistica (c. 25 mins.)
- Brief break for questions and comments
- Alkan: Concerto for solo piano op. 39 nos. 8-10 (c. 50 mins).
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