Articles by Stephanie Bird
- ‘Er
gab mir, was äußerst ungewöhnlich war, zum Abschied die Hand’: On Touch and Tact in
W.G. Sebald’s Austerlitz and Die Ausgewanderten. In Journal of European Studies, ed. by Richard
Sheppard, Vol 41, December 2011, pp. 359-375.
- 'The Funny Side of Fassbinder: From Melodramatic Vicious Circles to Comic Double Vision', in The Modern Language Review, Vol 105, No. 4, October 2010.
- 'Death, Being,
and Woman: Ingeborg Bachmann’s Literary Refiguring of the Tragic
Mode', in Women and Death 3: Women’s Representations of Death
in German Culture since 1500, ed. by Clare Bielby and Anna
Richards (London: Camden House, 2010)
- 'Malina', in Landmarks in the German Novel (2), ed. by Peter Hutchinson and Michael Minden (Peter Lang, 2009), pp. 25-42.
- 'Nachum der Weise. On Storytelling, Eyes and Misunderstanding in Alfred
Doeblin's Berlin Alexanderplatz, in Alfred Doeblin: Beyond the Alexanderplatz, ed. by Ernest Schonfield and Steffan Davies (Berlin: de Gruyter, 2009).
- 'Scham, Beschämung und Gesellschaftskritik
in Gottfried Kellers „Martin Salander“ und Wilhelm
Raabes „Stopfkuchen“' in Jahrbuch der Raabe-Gesellschaft
2008, ed. by Dirk Goettsche and Ulf-Michael Schneider, (Tuebingen: Max Niemeyer Verlag, 2008): 48-65.
- 'Ingeborg Bachmann' in Landmarks in German Women's Writing, ed. by Hilary Brown. Peter Lang, 2007, pp. 155-172.
- ‘Norbert Elias, the Confusions of Törleß and
the Ethics of Shamelessness.’ Uncivilizing Processes?
Excess and Transgression in German Society and Culture: Perspectives
Debating
with Norbert
Elias ed. by Mary Fulbrook (Amsterdam: Rodopi, 2007): 203-23.
- ‘Masochism and its limits in Robert Musil’s “Die
Vollendung der Liebe.”’ in The Modern
Language Review, Volume 100, No 3, July 2005, pp 709-722.
- ‘Considering
Ethics in the Short Prose of Anne Duden.’ Anne Duden.
A Revolution of Words. Approaches to her fiction, poetry and
essays, ed. by Heike Bartel and Elizabeth Boa (Amsterdam
and New York: Rodopi Press, 2003): 62-71.
- ‘The
Holocaust and the Representation of the Female Subject in Ingeborg
Bachmann’s Malina and Anne Duden’s Das Judasschaf.’ Representing
the German Nation ed. by Mary Fulbrook and Martin Swales
(Manchester: Manchester University Press, 2000): 136-154.
- ‘Desire
and Complicity in Anne Duden’s Das Judasschaf.’ The
Modern Language Review Vol 93 No. 3 (July 1998): 741-753.
- ‘“What
matters who’s speaking?” Identity, Experience and
Problems with Feminism in Ingeborg Bachmann’s Malina’. Gender
and Politics in Austrian Fiction. Austrian Studies No.
7, ed. by Ritchie Robertson and Edward Timms (Edinburgh: Edinburgh
University Press, 1996): 150-165.
- ‘Kein
Ort Nirgends. A Place for Feminist Deconstruction?’ Forum
for Modern Languages Studies Vol xxxi No. 4 (1995).
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