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Dr Matilde Nardelli
Matilde Nardelli is a British Academy Postdoctoral Fellow at University College London, having obtained her PhD from UCL with a thesis on Michelangelo Antonioni and experimental film. Matilde’s research looks at the interrelation between cinema and the other visual arts and media, and she is working on a book entitled: ‘Moving Matters: Cinema and Its Objects in Late-Twentieth Century Art’. She has written articles on Michelangelo Antonioni, film and photography, the photobook, and cinema’s obsolescence in contemporary art.
Recent and forthcoming publications include: ‘Blow-Up and the Plurality of Photography’, in John David Rhodes and Laura Rascaroli (eds), Antonioni: Centenary Essays (BFI, 2011); ‘Leafing Through Cinema’, in Steven Allen and Laura Hubner (eds), Framing Film (Intellect, 2011); ‘Some Reflections on Antonioni, Sound and the Silence of La notte’, The Soundtrack (2010); and ‘Moving Pictures: Cinema and Its Obsolescence in Contemporary Art’, Journal of Visual Culture (2009).
