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COMMENTS 

The rights & responsibilities of the university sector in the EU referendum debate

In this commentary, Lucy Shacketon outlines why UK universities have both the right and the responsibility to inform and influence the referendum debate. 
3 August 2015 
Lucy Shackleton More...

Starts: Aug 3, 2015 12:00:00 AM

At the Edges of Europe: Britain, Romania and European Identities

In their relationship to Europe, both Britain and Romania are situated at the continent’s edge, but that is where any list of comparisons between the two countries usually ends. Certainly, both countries are members of the European Union, but their respective responses to the European Union differ markedly. Polls conducted by Eurobarometer consistently put Romanians among the most enthusiastic supporters of the European Union, and the British (along with the Greeks) among the least. But what are the historical roots of Romanian and British attitudes towards Europe and the European idea?
27 July 2015
Prof. Martyn Rady More...

Starts: Jul 27, 2015 12:00:00 AM

Extremism disenchanted: what role can education play?

Young people in the UK today who are attracted to extremism are typically well educated. Given the weaknesses of this ideology in terms of its use of history, internal coherence of arguments and moral standards, its success with many educated young people requires explanation. The explanation, according to Dr. Farid, is multifaceted but education has a big role to play in curbing the trend.
2 June 2015
Dr. Farid Panjwani More...

Starts: Jun 2, 2015 12:00:00 AM

Europe must face up to the new antisemites

27 June 2014

20 June 2014
Professor Noreena Hertz, now at UCL's Office of the Vice-Provost Research, discusses the rising tide of hostility towards Jews across Europe. 


The New York Met this week cancelled its planned global telecast of John Adams's The Death of Klinghoffer, the opera that portrays the hijacking of the Achille Lauro cruise ship by the Palestinian Liberation Front in 1985. While emphasising that the work itself is not antisemitic, the Met's general manager, Peter Gelb, said that he recognised concerns among Jews "at this time of rising antisemitism, particularly in Europe". Regardless of one's view of either the opera or the Met's decision, Gelb is unfortunately spot on about Europe.

Read more in the Guardian >>