Welcome to the UCL European Institute, UCL's hub for research, collaboration and information on Europe and the European Union. We are part of the Institute of Advanced Studies.


Contact us

16 Taviton St
London
WC1H 0BW
+44 (0) 207 679 8737
european.institute@ucl.ac.uk

How to find us >>

trans32.pngtrans32.pngtrans32.pngtrans32.png

COMMENTS 

How come “intolerant” Poland is among European leaders in collecting data on hate crimes?

In Poland over the past ten years, there has been a creeping recognition of the need to combat hate crime. While intolerance remains an issue in this Central European country, developments in in the official response to targeted violence are evident. Nevertheless, it is unclear what motivated the authorities to address this issue. Piotr Godzisz, PhD candidate at UCL SSEES, explores what explains Poland’s leadership in this regard.
14 January 2016
Piotr Godzisz More...

Starts: Jan 14, 2016 12:00:00 AM

Maps in Films: the View from Ealing

In the website The Cine-Tourist, Roland-François Lack, Senior Lecturer in UCL’s Department of French, has created a repository for his research around cinema and place. Here he illustrates some connections between maps and films.
1 February 2016
Roland-François Lack More...

Starts: Feb 4, 2016 12:00:00 AM

How ISIS Rule and Mobilisation Matters for the Military Response to the Paris Attacks

Kristin Bakke, Senior Lecturer in Political Science looks at how air strikes may affect ISIS, given how ISIS rules and how it mobilises support and recruits fighters. Although air strikes might contribute to containing the group and its ability to rule, it is likely to fuel the narrative that fosters mobilisation. To the degree that there is a case for a military response against ISIS, it is, by itself, insufficient. More...

Starts: Dec 16, 2015 12:00:00 AM

Cleopatra DVDs now on sale

19 June 2013

Watch the first performance of Daniel’s tragedy in at least four hundred years.

Samuel Daniel’s neo-Senecan closet drama, The Tragedie of Cleopatra, was presented by the Centre for Early Modern Exchanges in March 2013. This was the first performance of Daniel’s tragedy in at least four hundred years. 

DVDs of this rare and sold-out production are now available for research and teaching purposes and to anyone with an interest in Daniel and his Cleopatra.

Purchase your copy



The staging

Samuel Daniel’s Tragedie of Cleopatra (1594) is the first English drama about Cleopatra and a source for Shakespeare’s Antony and Cleopatra. This production arose from the PhD research of Yasmin Arshad (UCL, English) and brought together a talented production team from a wide range of UCL departments.

The production explored early modern attitudes to race and national identity. The play centres on tensions between Egypt and Rome and on a non-European heroine who is fascinatingly different from Shakespeare’s Cleopatra in her nobility and stoicism. It is a sequel to Mary Sidney’s translation of Robert Garnier’s Antonie, making it an English play about an Egyptian queen inspired by a translation from French of a neo-Senecan tragedy. As such it demonstrates that cultural dialogue across and beyond Europe was the engine of artistic and intellectual innovation in the early modern period. 

The production also overturned the widespread perception that women did not participate in drama in Shakespeare’s time. Although female roles were taken by boys in commercial playhouses such as the Globe, Daniel’s play belongs to a genre (sometimes called ‘closet drama’) performed in country house settings with actors including women. Excitingly, Yasmin Arshad has discovered a portrait of a Jacobean lady in costume as Cleopatra, inscribed with lines from Daniel’s play.

By investigating the history of relations between performance, race, and gender in early modern Europe this production will enhance our understanding of these issues in the present.

This project was supported by UCL European Institute's call for proposals 2012-13