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What the people of Nagorno-Karabakh think about the future of their homeland

The disputed territory of Nagorno-Karabakah has been caught in a tug-of-war between Armenia and Azerbaijan for decades. Internationally recognised as part of Azerbaijan, it’s home to an estimated 120,000 people, primarily ethnic Armenians, who want to separate from Azerbaijan. It’s been a de facto independent state since a fragile ceasefire was brokered in 1994, and low-level violence has flared up every spring ever since.
3 May 2016
Kristin M. Bakke
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Starts: May 3, 2016 12:00:00 AM

Migration, the lightning rod of the EU referendum

The EU-Turkey deal should have no role in the Brexit debate, yet it brings the crucial question of the European Union and migration into focus at an inopportune time.
14 April 2016
Uta Staiger
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Starts: Apr 14, 2016 12:00:00 AM

Unsettling times for a settled population? Polish perspectives on Brexit

Many Poles have lived, worked, and settled in the UK for up to 12 years now. Anne White, Professor of Polish Studies at the UCL School of Slavonic and East European Studies, says it’s no longer so easy for them to pick up and leave.
14 April 2016
Anne White
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Starts: Apr 14, 2016 12:00:00 AM

UCL European Institute

Where the Beast is Buried - Joanna Rajkowska in conversation


Where the Beast is Burried: In Search for the Public Space

Polish artist Joanna Rajkowska in discussion with Maggie Humm, Martine Rouleau, Katarzyna Depta-Garapich. Everything around the book about Rajkowska's life and works (ZERO BOOKS, UK).


Where the Beast is Buried - Joanna Rajkowska in conversation from UCL European Institute on Vimeo.


Joanna Rajkowska (born 1968) is a Polish artist based in London, working with objects, films, photography, installations, ephemeral actions, and widely discussed interventions in public space.

She critically engages with the legacy, politics and aesthetics of land art and employs the strategy of unfamiliarity as a political tool whilst focusing on the body and language as the foundations of social relationships. Her works often function as social sculptures in which collective memory, tensions and desires might be manifested as public monuments interwoven into the urban tissue. Activating layers of meanings (both historical and ideological), they provoke and reveal lines of conflicts, but also serve as platforms for dialogue.

As Joanna Rajkowska’s works are materializing through 'urban legends', press-cuttings, gossip and media debates, their form is always 'unfinished', so there is a possibility they will evolve and mutate beyond the artist’s initial intentions.

Rajkowska’s artwork has been presented in the UK, Germany, Poland, France, Switzerland, Brazil, Sweden, US, Palestine and Turkey, among others. Her public projects include comissions by CCA Zamek Ujazdowski (2007, Oxygenator, Poland), Trafo Gallery (2008, The Airways, Hungary), Museum of Modern Art in Warsaw (2009, Ravine, Poland), The Showroom (2010, Chariot, UK), British Council (2010, Benjamin in Konya, Turkey), 7th Berlin Biennale (2012, Born in Berlin, Germany), Royal Society of Arts, Citizen Power Peterborough programme’s Arts and Social Change, Arts Council England (2012, unrealised project, The Peterborough Child, UK) and Frieze Projects 2012 (2012, Forcing a Miracle, UK).

Page last modified on 12 feb 14 12:35