Welcome to the UCL European Institute, UCL's hub for research, collaboration and information on Europe and the European Union. We are part of the Institute of Advanced Studies.
UCL European Institute
- Media Gallery
- Self-Determination Processes in the EU. The Case of Catalonia
- Remembering, re-writing, re-telling
- 'Stuck in Transition'? The ERBD Transition Report 2013
- Slavoj Žižek and Srećko Horvat: What Does Europe Want?
- Promoting LGBT rights at home and abroad: the role of the European Union
- Lost worlds of East European Jewry: images and narratives
- Where the Beast is Buried - Joanna Rajkowska in conversation
- Joaquín Almunia on Competition in Financial Markets
- EU Trade Commissioner speaks on EU-US trade negotiations
- Legacies of European Colonial Slavery
- EU and European Careers 2014
- In Search of Europe
- Videos 2014
Theresa May's long-awaited Brexit speech must be understood as an aspiration, rather than a roadmap, since its realisation requires the consent of other parties and the removal of important contradictions, argues Benjamin Martill.
17 January 2017
Starts: Jan 17, 2017 12:00:00 AM
Uta Staiger, Executive Director of the
European Institute, comments on the German political and media responses after the Christmas market attacks, in a piece originally published by the New Statesman.
20 December 2016 More...
Starts: Dec 20, 2016 12:00:00 AM
Oliver Patel, Research Assistant at the European Institute, offers three reasons why the Brexit vote is worrying for London's tech community.
Oliver Patel (UCL European Institute)
19 December 2016
Starts: Dec 19, 2016 12:00:00 AM
Where the Beast is Buried - Joanna Rajkowska in conversation
Where the Beast is Burried: In Search for the Public Space
Polish artist Joanna Rajkowska in discussion with Maggie Humm, Martine Rouleau, Katarzyna Depta-Garapich. Everything around the book about Rajkowska's life and works (ZERO BOOKS, UK).
Joanna Rajkowska (born 1968) is a Polish artist based in London, working with objects, films, photography, installations, ephemeral actions, and widely discussed interventions in public space.
She critically engages with the legacy, politics and aesthetics of land art and employs the strategy of unfamiliarity as a political tool whilst focusing on the body and language as the foundations of social relationships. Her works often function as social sculptures in which collective memory, tensions and desires might be manifested as public monuments interwoven into the urban tissue. Activating layers of meanings (both historical and ideological), they provoke and reveal lines of conflicts, but also serve as platforms for dialogue.
As Joanna Rajkowska’s works are materializing through 'urban legends', press-cuttings, gossip and media debates, their form is always 'unfinished', so there is a possibility they will evolve and mutate beyond the artist’s initial intentions.
Rajkowska’s artwork has been presented in the UK, Germany, Poland, France, Switzerland, Brazil, Sweden, US, Palestine and Turkey, among others. Her public projects include comissions by CCA Zamek Ujazdowski (2007, Oxygenator, Poland), Trafo Gallery (2008, The Airways, Hungary), Museum of Modern Art in Warsaw (2009, Ravine, Poland), The Showroom (2010, Chariot, UK), British Council (2010, Benjamin in Konya, Turkey), 7th Berlin Biennale (2012, Born in Berlin, Germany), Royal Society of Arts, Citizen Power Peterborough programme’s Arts and Social Change, Arts Council England (2012, unrealised project, The Peterborough Child, UK) and Frieze Projects 2012 (2012, Forcing a Miracle, UK).
Page last modified on 12 feb 14 12:35