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EU referendum: the view of a UCL clinician-scientist

John Martin, Professor of Cardiovascular Medicine at UCL, argues that scientific advance relies on creativity, cooperation, and financing. To leave the EU would diminish all three, dimming the light of British science in the world and threatening the UK’s future economy. This piece is part of the UCL European Institute’s commissioning partnership with openDemocracy. For more on this topic, join the UCL European Institute for its high-level panel discussion EU Membership and UK Science on 12 May.
10 May 2016
John Martin
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Starts: May 10, 2016 12:00:00 AM

‘Eurofog’ of claim and counterclaim on EU membership and UK science

Graeme Reid, Professor of Science and Research Policy at UCL, recently advised a House of Lords inquiry on the impact of EU membership on UK  science and research. In this post, he discusses the inquiry’s main findings, both expected and unexpected. He also joins a high-level panel to discuss the topic at the UCL European Institute on 12 May 2016.
10 May 2016
Graeme Reid
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Starts: May 10, 2016 12:00:00 AM

Something rotten in the state of Czechia?

The Czech Republic has been in the news recently because of its politicians' somewhat quick Celtic campaign to rebrand the country to the world as ‘Czechia’. But among political scientists and businesspeople the country's name has long suffered worst damage than this.
5 May 2016
Dr Sean Hanley
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Starts: May 5, 2016 12:00:00 AM

UCL European Institute

Where the Beast is Buried - Joanna Rajkowska in conversation


Where the Beast is Burried: In Search for the Public Space

Polish artist Joanna Rajkowska in discussion with Maggie Humm, Martine Rouleau, Katarzyna Depta-Garapich. Everything around the book about Rajkowska's life and works (ZERO BOOKS, UK).


Where the Beast is Buried - Joanna Rajkowska in conversation from UCL European Institute on Vimeo.


Joanna Rajkowska (born 1968) is a Polish artist based in London, working with objects, films, photography, installations, ephemeral actions, and widely discussed interventions in public space.

She critically engages with the legacy, politics and aesthetics of land art and employs the strategy of unfamiliarity as a political tool whilst focusing on the body and language as the foundations of social relationships. Her works often function as social sculptures in which collective memory, tensions and desires might be manifested as public monuments interwoven into the urban tissue. Activating layers of meanings (both historical and ideological), they provoke and reveal lines of conflicts, but also serve as platforms for dialogue.

As Joanna Rajkowska’s works are materializing through 'urban legends', press-cuttings, gossip and media debates, their form is always 'unfinished', so there is a possibility they will evolve and mutate beyond the artist’s initial intentions.

Rajkowska’s artwork has been presented in the UK, Germany, Poland, France, Switzerland, Brazil, Sweden, US, Palestine and Turkey, among others. Her public projects include comissions by CCA Zamek Ujazdowski (2007, Oxygenator, Poland), Trafo Gallery (2008, The Airways, Hungary), Museum of Modern Art in Warsaw (2009, Ravine, Poland), The Showroom (2010, Chariot, UK), British Council (2010, Benjamin in Konya, Turkey), 7th Berlin Biennale (2012, Born in Berlin, Germany), Royal Society of Arts, Citizen Power Peterborough programme’s Arts and Social Change, Arts Council England (2012, unrealised project, The Peterborough Child, UK) and Frieze Projects 2012 (2012, Forcing a Miracle, UK).

Page last modified on 12 feb 14 12:35