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Media Gallery 


Why we post: a global perspective on social media

How do people use social media in different parts of the world, and what are the implications? Professor Daniel Miller explains what a team of anthropologists found by sending 15 months each in nine small towns all over the world, comparing social media use. You can engage with their research through a variety of free online resources including UCL’s first massive open online course (MOOC) starting on 29th February, a series of open access books published by UCL Press, and a short video.
25 November 2015
Daniel Miller  More...

Starts: Nov 25, 2015 12:00:00 AM

Cameron - Banning Milk and Cheese

Pablo Echenique is one of the five Podemos members elected to the European Parliament in 2014, and currently running for parliament in the upcoming Spanish general election. On Monday 26 October, he was scheduled to talk at the UCL European Institute, however the event had to be cancelled when he ran into difficulties at the UK Border. Here, he explains the full story…
2 November 2015
Pablo Echenique

Starts: Nov 1, 2015 12:00:00 AM

Flights from Freedom

Eva Hoffman, former editor of The New York Times and Visiting Professor at the UCL European Institute, asks what propels individuals to turn to extremist movements and argues that we need to build a ‘culture of democracy’ with shared norms and ethics.
22 October 2015
Eva Hoffman More...

Starts: Oct 22, 2015 12:00:00 AM

UCL European Institute

Where the Beast is Buried - Joanna Rajkowska in conversation

Where the Beast is Burried: In Search for the Public Space

Polish artist Joanna Rajkowska in discussion with Maggie Humm, Martine Rouleau, Katarzyna Depta-Garapich. Everything around the book about Rajkowska's life and works (ZERO BOOKS, UK).

Where the Beast is Buried - Joanna Rajkowska in conversation from UCL European Institute on Vimeo.

Joanna Rajkowska (born 1968) is a Polish artist based in London, working with objects, films, photography, installations, ephemeral actions, and widely discussed interventions in public space.

She critically engages with the legacy, politics and aesthetics of land art and employs the strategy of unfamiliarity as a political tool whilst focusing on the body and language as the foundations of social relationships. Her works often function as social sculptures in which collective memory, tensions and desires might be manifested as public monuments interwoven into the urban tissue. Activating layers of meanings (both historical and ideological), they provoke and reveal lines of conflicts, but also serve as platforms for dialogue.

As Joanna Rajkowska’s works are materializing through 'urban legends', press-cuttings, gossip and media debates, their form is always 'unfinished', so there is a possibility they will evolve and mutate beyond the artist’s initial intentions.

Rajkowska’s artwork has been presented in the UK, Germany, Poland, France, Switzerland, Brazil, Sweden, US, Palestine and Turkey, among others. Her public projects include comissions by CCA Zamek Ujazdowski (2007, Oxygenator, Poland), Trafo Gallery (2008, The Airways, Hungary), Museum of Modern Art in Warsaw (2009, Ravine, Poland), The Showroom (2010, Chariot, UK), British Council (2010, Benjamin in Konya, Turkey), 7th Berlin Biennale (2012, Born in Berlin, Germany), Royal Society of Arts, Citizen Power Peterborough programme’s Arts and Social Change, Arts Council England (2012, unrealised project, The Peterborough Child, UK) and Frieze Projects 2012 (2012, Forcing a Miracle, UK).

Page last modified on 12 feb 14 12:35