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COMMENTS 

Brexit: The mother of all uncertainties

So the British people have voted with a margin of around 4%, a little more than 1 million votes, to leave the European Union (EU). Where this will lead lies somewhere between two absolutely contrasting scenarios.
29 June 2016
Paul Ekins More...

Starts: Jun 29, 2016 12:00:00 AM

It's Brexit.

A first round of reactions from UCL staff to the EU referendum results.
24 June 2016 More...

Starts: Jun 27, 2016 12:00:00 AM

The heart of the matter: passion, politics and the EU referendum

Both Leave and Remain have appealed to voters’ guts to the extent that reason itself has become suspicious. Emotions will rule the day on 23 June, but at what cost?
23 June 2016
Uta Staiger
More...

Starts: Jun 23, 2016 12:00:00 AM

Samuel Daniel's Tragedie of Cleopatra

Publication date: Jan 25, 2013 12:00 AM

Start: Mar 03, 2013 02:00 PM
End: Mar 03, 2013 09:00 PM

3 March 2013

When
3 March 2013, 2.00pm
(Seating 1.45pm)

Where
Goodenough College
Mecklenburgh Square
London WC1N 2AB 

Please visit Eventbrite to register


Cleopatra

Samuel Daniel’s Tragedie of Cleopatra (1594) is the first English drama about Cleopatra and a source for Shakespeare’s Antony and Cleopatra. This production arises from the PhD research of Yasmin Arshad (UCL, English) and brings together a talented production team from a wide range of UCL departments.

The production will explore early modern attitudes to race and national identity. The play centres on tensions between Egypt and Rome and on a non-European heroine who is fascinatingly different from Shakespeare’s Cleopatra in her nobility and stoicism. It is a sequel to Mary Sidney’s translation of Robert Garnier’s Antonie, making it an English play about an Egyptian queen inspired by a translation from French of a neo-Senecan tragedy. As such it demonstrates that cultural dialogue across and beyond Europe was the engine of artistic and intellectual innovation in the early modern period. 

The production will also overturn the widespread perception that women did not participate in drama in Shakespeare’s time. Although female roles were taken by boys in commercial playhouses such as the Globe, Daniel’s play belongs to a genre (sometimes called ‘closet drama’) performed in country house settings with actors including women. Excitingly, Yasmin Arshad has discovered a portrait of a Jacobean lady in costume as Cleopatra, inscribed with lines from Daniel’s play.

By investigating the history of relations between performance, race, and gender in early modern Europe this production will enhance our understanding of these issues in the present.

This project is supported by UCL European Institute's call for proposals 2012-13