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COMMENTS 

Europe: Six decades of strife and controversy for UK

It's groundhog day in Britain, where the European Union is concerned. The context changes, but the basic issues do not.
Sir Stephen Wall
18 November 2014 More...

Starts: Nov 13, 2014 12:00:00 AM

The 9 November poll in Catalonia

The recent Scottish referendum set a precedent in contemporary Europe by seeking to deliver, in agreement between Westminster and Holyrood, a binding decision on Scotland's future. The 'participatory process' that took place in Catalonia on 9 November could not be more different. Why is this so, what are its consequences, and where might we be heading?
Dr Claire Colomb
Dr Uta Staiger

13 November 2014
More...

Starts: Nov 13, 2014 12:00:00 AM

Yes, EU immigrants do have a positive impact on public finances

The impact of immigration on Britain’s tax and welfare system is a key element in the debate over the country’s relationship with the EU. Yet contrary to received opinion, research shows that EU immigrants to the UK in fact relieve the fiscal burden on UK-born workers and contribute to the financing of public services.
5 November 2014

Prof. Christian Dustman
Dr. Tommaso Frattini
More...

Starts: Nov 5, 2014 12:00:00 AM

Samuel Daniel's Tragedie of Cleopatra

Publication date: Jan 25, 2013 12:00:00 AM

Start: Mar 3, 2013 2:00:00 PM
End: Mar 3, 2013 9:00:00 PM

3 March 2013

When
3 March 2013, 2.00pm
(Seating 1.45pm)

Where
Goodenough College
Mecklenburgh Square
London WC1N 2AB 

Please visit Eventbrite to register


Cleopatra

Samuel Daniel’s Tragedie of Cleopatra (1594) is the first English drama about Cleopatra and a source for Shakespeare’s Antony and Cleopatra. This production arises from the PhD research of Yasmin Arshad (UCL, English) and brings together a talented production team from a wide range of UCL departments.

The production will explore early modern attitudes to race and national identity. The play centres on tensions between Egypt and Rome and on a non-European heroine who is fascinatingly different from Shakespeare’s Cleopatra in her nobility and stoicism. It is a sequel to Mary Sidney’s translation of Robert Garnier’s Antonie, making it an English play about an Egyptian queen inspired by a translation from French of a neo-Senecan tragedy. As such it demonstrates that cultural dialogue across and beyond Europe was the engine of artistic and intellectual innovation in the early modern period. 

The production will also overturn the widespread perception that women did not participate in drama in Shakespeare’s time. Although female roles were taken by boys in commercial playhouses such as the Globe, Daniel’s play belongs to a genre (sometimes called ‘closet drama’) performed in country house settings with actors including women. Excitingly, Yasmin Arshad has discovered a portrait of a Jacobean lady in costume as Cleopatra, inscribed with lines from Daniel’s play.

By investigating the history of relations between performance, race, and gender in early modern Europe this production will enhance our understanding of these issues in the present.

This project is supported by UCL European Institute's call for proposals 2012-13