Welcome to the UCL European Institute, UCL's hub for research, collaboration and information on Europe and the European Union.
In the eurozone, the EU needs greater legitimacy at the national level not only to secure space for domestic politics but also to secure respect for social and economic commitments over time.
Prof. Albert Weale
24 November 2014 More...
Starts: Nov 24, 2014 12:00:00 AM
It's groundhog day in Britain, where the European Union is concerned. The context changes, but the basic issues do not.
Sir Stephen Wall
18 November 2014 More...
Starts: Nov 18, 2014 12:00:00 AM
The recent Scottish referendum set a precedent in contemporary Europe by seeking to deliver, in agreement between Westminster and Holyrood, a binding decision on Scotland's future. The 'participatory process' that took place in Catalonia on 9 November could not be more different. Why is this
so, what are its consequences, and where might we be heading?
Dr Claire Colomb
Dr Uta Staiger
13 November 2014
Starts: Nov 13, 2014 12:00:00 AM
Samuel Daniel's Tragedie of Cleopatra
Publication date: Jan 25, 2013 12:00:00 AM
Mar 3, 2013 2:00:00 PM
End: Mar 3, 2013 9:00:00 PM
3 March 2013
Please visit Eventbrite to register
Samuel Daniel’s Tragedie of Cleopatra (1594) is the first English drama about Cleopatra and a source for Shakespeare’s Antony and Cleopatra. This production arises from the PhD research of Yasmin Arshad (UCL, English) and brings together a talented production team from a wide range of UCL departments.
The production will explore early modern attitudes to race and national identity. The play centres on tensions between Egypt and Rome and on a non-European heroine who is fascinatingly different from Shakespeare’s Cleopatra in her nobility and stoicism. It is a sequel to Mary Sidney’s translation of Robert Garnier’s Antonie, making it an English play about an Egyptian queen inspired by a translation from French of a neo-Senecan tragedy. As such it demonstrates that cultural dialogue across and beyond Europe was the engine of artistic and intellectual innovation in the early modern period.
The production will also overturn the widespread perception that women did not participate in drama in Shakespeare’s time. Although female roles were taken by boys in commercial playhouses such as the Globe, Daniel’s play belongs to a genre (sometimes called ‘closet drama’) performed in country house settings with actors including women. Excitingly, Yasmin Arshad has discovered a portrait of a Jacobean lady in costume as Cleopatra, inscribed with lines from Daniel’s play.
By investigating the history of relations between performance, race, and gender in early modern Europe this production will enhance our understanding of these issues in the present.
This project is supported by UCL European Institute's call for proposals 2012-13