Welcome to the UCL European Institute, UCL's hub for research, collaboration and information on Europe and the European Union. We are part of the Institute of Advanced Studies.


Contact us

16 Taviton St
London
WC1H 0BW
+44 (0) 207 679 8737
european.institute@ucl.ac.uk

How to find us >>

trans32.pngtrans32.pngtrans32.pngtrans32.png

COMMENTS 

Does Eastern Europe have lessons for Brexit Britain?

What, if anything, can the experience of (research on) Eastern Europe say to us as we head towards Brexit? Lessons may lie above all in getting to grips with the tempo and nature of political change, its (un)predictability and likely channels.
Sean Hanley
1 August 2016
More...

Starts: Aug 1, 2016 12:00:00 AM

Hollande's response to the Nice massacre will please only the far right

On Thursday night, for the third time since January 2015, President François Hollande was faced with a mass murder on French soil. An ashen-faced Hollande, almost looking like a broken man, appeared on television on Friday at 4am and declared: “This is undoubtedly a terrorist attack; the whole of France is under the threat of an Islamic terrorist attack”.
Philippe Marlière
18 July 2016 More...

Starts: Jul 18, 2016 12:00:00 AM

Roman oratory and the EU referendum campaigns

In addition to marking a politically decisive moment in British history, the campaigns in advance of the referendum on the UK’s membership in the EU were exciting objects of study for Classicists in terms of the political use of oratory.
Gesine Manuwald
11 July 2016 More...

Starts: Jul 11, 2016 12:00:00 AM

Inaugural Lecture: Axel Körner on Unveiling Modernity

Publication date: Oct 17, 2013 03:00 PM

Start: Dec 03, 2013 12:00 AM

3 December 2013
Why did Verdy celebrate the Unification of Italy with an opera set in Boston, Un ballo in maschera (1859)? The lecture explores ideas about social and political change in transnational perspective, demonstrating how cultural developments inform our understanding of political events.

When:
3 December 2013
6.30pm
Details and registration

Verdi’s hugely popular American opera Un ballo in maschera (1859) was completed during the final stages of the Unification of Italy. Why did Italy’s compositore nazionale celebrate Unification with an opera set in Boston? Verdi depicts an altogether rather dark and disconcerting image of life in the New World. When president elect Abraham Lincoln attended one of the opera’s first performances in New York, he left the theatre shortly before the final act, allegedly fearing an assassination attempt. Did anybody remember this scene when Lincoln was shot in a theatre four years later? The lecture explores ideas about social and political change in transnational perspective, demonstrating how cultural developments inform our understanding of political events.



Axel Körner has been teaching at UCL since 1996. His publications include Politics of Culture in Liberal Italy (2009); America Imagined (with N.Miller and A.I.P.Smith, 2012); 1848 – A European Revolution? (ed., 2000); and Das Lied von einer anderen Welt (1997). He has held visiting positions at the Institute for Advanced Study, Princeton; the École Normale Supérieure, Paris; and the Remarque Centre of New York University.

Please visit Eventbrite to book your place