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COMMENTS 

EU referendum: the view of a UCL clinician-scientist

John Martin, Professor of Cardiovascular Medicine at UCL, argues that scientific advance relies on creativity, cooperation, and financing. To leave the EU would diminish all three, dimming the light of British science in the world and threatening the UK’s future economy. This piece is part of the UCL European Institute’s commissioning partnership with openDemocracy. For more on this topic, join the UCL European Institute for its high-level panel discussion EU Membership and UK Science on 12 May.
10 May 2016
John Martin
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Starts: May 10, 2016 12:00:00 AM

‘Eurofog’ of claim and counterclaim on EU membership and UK science

Graeme Reid, Professor of Science and Research Policy at UCL, recently advised a House of Lords inquiry on the impact of EU membership on UK  science and research. In this post, he discusses the inquiry’s main findings, both expected and unexpected. He also joins a high-level panel to discuss the topic at the UCL European Institute on 12 May 2016.
10 May 2016
Graeme Reid
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Starts: May 10, 2016 12:00:00 AM

Something rotten in the state of Czechia?

The Czech Republic has been in the news recently because of its politicians' somewhat quick Celtic campaign to rebrand the country to the world as ‘Czechia’. But among political scientists and businesspeople the country's name has long suffered worst damage than this.
5 May 2016
Dr Sean Hanley
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Starts: May 5, 2016 12:00:00 AM

Inaugural Lecture: Axel Körner on Unveiling Modernity

Publication date: Oct 17, 2013 03:00 PM

Start: Dec 03, 2013 12:00 AM

3 December 2013
Why did Verdy celebrate the Unification of Italy with an opera set in Boston, Un ballo in maschera (1859)? The lecture explores ideas about social and political change in transnational perspective, demonstrating how cultural developments inform our understanding of political events.

When:
3 December 2013
6.30pm
Details and registration

Verdi’s hugely popular American opera Un ballo in maschera (1859) was completed during the final stages of the Unification of Italy. Why did Italy’s compositore nazionale celebrate Unification with an opera set in Boston? Verdi depicts an altogether rather dark and disconcerting image of life in the New World. When president elect Abraham Lincoln attended one of the opera’s first performances in New York, he left the theatre shortly before the final act, allegedly fearing an assassination attempt. Did anybody remember this scene when Lincoln was shot in a theatre four years later? The lecture explores ideas about social and political change in transnational perspective, demonstrating how cultural developments inform our understanding of political events.



Axel Körner has been teaching at UCL since 1996. His publications include Politics of Culture in Liberal Italy (2009); America Imagined (with N.Miller and A.I.P.Smith, 2012); 1848 – A European Revolution? (ed., 2000); and Das Lied von einer anderen Welt (1997). He has held visiting positions at the Institute for Advanced Study, Princeton; the École Normale Supérieure, Paris; and the Remarque Centre of New York University.

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