Welcome to the UCL European Institute, UCL's hub for research, collaboration and information on Europe and the European Union. We are part of the Institute of Advanced Studies.


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COMMENTS 

EU referendum: the view of a UCL clinician-scientist

John Martin, Professor of Cardiovascular Medicine at UCL, argues that scientific advance relies on creativity, cooperation, and financing. To leave the EU would diminish all three, dimming the light of British science in the world and threatening the UK’s future economy. This piece is part of the UCL European Institute’s commissioning partnership with openDemocracy. For more on this topic, join the UCL European Institute for its high-level panel discussion EU Membership and UK Science on 12 May.
10 May 2016
John Martin
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Starts: May 10, 2016 12:00:00 AM

‘Eurofog’ of claim and counterclaim on EU membership and UK science

Graeme Reid, Professor of Science and Research Policy at UCL, recently advised a House of Lords inquiry on the impact of EU membership on UK  science and research. In this post, he discusses the inquiry’s main findings, both expected and unexpected. He also joins a high-level panel to discuss the topic at the UCL European Institute on 12 May 2016.
10 May 2016
Graeme Reid
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Starts: May 10, 2016 12:00:00 AM

Something rotten in the state of Czechia?

The Czech Republic has been in the news recently because of its politicians' somewhat quick Celtic campaign to rebrand the country to the world as ‘Czechia’. But among political scientists and businesspeople the country's name has long suffered worst damage than this.
5 May 2016
Dr Sean Hanley
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Starts: May 5, 2016 12:00:00 AM

European Film Salons: Portraying Perpetrators

Publication date: Nov 13, 2013 04:48 PM

Start: Mar 03, 2014 12:00 AM

3 March 2014
Starting this academic year, the European Institute will be hosting a regular Film Salon. During these events, we will screen films produced in and with diverse topics of wider European relevance, in all genres. All screenings are free and will be followed by discussion.


When:

3 March 2014, 7.00pm

Where:

Pearson Lecture Theatre
Pearson Building, Gower Street

 

The first season in our Salon Series will be dedicated to films in documentary and experimental, semi-documentary formats engaging with the legacy of war. More concretely, the selected films focus not on victims but on perpetrators: on those who did not suffer but commit crimes during war and dictatorship, and the ways both their families and society at large are coming to terms with these acts across the generations.

Harlan: In the Shadow of Jew Suss
(Germany, 2008)
Veit Harlan was one of Nazi Germany's most notorious filmmakers. This documentary is an eye-opening examination of World War II film history as well as the story of a German family from the Third Reich to the present; one that is marked by reckoning, denial and liberation.
German with English subtitles

For info, please contact Julia Wagner


24 March Film: The passenger
(Poland, 1963)
The last film of Andrzej Munk, who died in a crash during the filming. A German woman on a ship coming back to Europe notices a face of another woman which brings recollections from the past. She tells her husband that she has been an overseer in Auschwitz during the war, but she has actually saved a woman's life. Her vision is shown and then the actual events.
Polish with English subtitles

12 May Film: “2 or 3 things”
(Germany, 2005)
German filmmaker Malte Ludin explores the questionable legacy of his father, executed Plenipotentiary Nazi Party Minister Hanns Ludin, in this documentary that delves into a dark family history while exploring just how stories are passed down through the generations. It's been 60 years since the end of World War II, and though the story of Hanns Ludin is now a matter of public record, his family continues to whitewash their history and deny the brutal facts.
German with English subtitles

6 June Film: The Act of Killing
(Denmark, Britain, Norway, 2012)
In this chilling and inventive documentary, executive produced by Werner Herzog, Errol Morris and André Singer, the unrepentant former members of Indonesian death squads are challenged to re-enact some of their many murders in the style of the American movies they love.

16 June Film: I was a Slave Labourer
(UK, 1999)
Introduced by Luke Holland (director)
Over a three-year period, Luke Holland documented the activities of Buna/Monowitz survivor Rudy Kennedy as he visits international conferences and endeavors to obtain compensation for former slave labourers from German companies like BASF and VW.