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COMMENTS 

The government's Brexit white paper: a missed opportunity

Nicholas Wright from the UCL School of Public Policy analyses the government's recent White Paper on Brexit.
Nicholas Wright (SPP)
17 February 2017
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Starts: Feb 17, 2017 12:00:00 AM

The process of Brexit: What comes next?

In a new report published jointly by the UCL Constitution Unit and the UCL European Institute, Alan Renwick,  Deputy Director of the Constitution Unit, examines what the process of Brexit is likely to look like over the coming weeks, months, and years. Here he summarises five key lessons.
Alan Renwick (Constitution Unit)
8 February 2017
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Starts: Feb 1, 2017 12:00:00 AM

Brexit and Parliament: A Second Capitulation or Sovereignty Regained?

Professor of EU Law, Piet Eeckhout, examines the role of Parliament in the Brexit process after the Supreme Court judgement, arguing that an alternative reading of Article 50 would offer greater scope for parliamentary oversight and, therefore, a more democratic outcome.
Piet Eeckhout (European Institute)
31 January 2017
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Starts: Feb 1, 2017 12:00:00 AM

European Film Salons - Portraying Perpetrators: The Act of Killing

Publication date: Nov 13, 2013 04:48 PM

Start: Jun 06, 2014 12:00 AM

6 June 2014
Starting this academic year, the European Institute will be hosting a regular Film Salon. During these events, we will screen films produced in and with diverse topics of wider European relevance, in all genres. All screenings are free and will be followed by discussion.


When:

6 June 2014, 7.00pm

Where:

Garwood Lecture Theatre
South Wing

 

Film: The Act of Killing
(Denmark, Britain, Norway, 2012)
In this chilling and inventive documentary, executive produced by Werner Herzog, Errol Morris and André Singer, the unrepentant former members of Indonesian death squads are challenged to re-enact some of their many murders in the style of the American movies they love.

For info, please contact Julia Wagner

The first season in our Salon Series is dedicated to films in documentary and experimental, semi-documentary formats engaging with the legacy of war. More concretely, the selected films focus not on victims but on perpetrators: on those who did not suffer but commit crimes during war and dictatorship, and the ways both their families and society at large are coming to terms with these acts across the generations.


16 June Film: I was a Slave Labourer

(UK, 1999)
Introduced by Luke Holland (director)
Over a three-year period, Luke Holland documented the activities of Buna/Monowitz survivor Rudy Kennedy as he visits international conferences and endeavors to obtain compensation for former slave labourers from German companies like BASF and VW.