Welcome to the UCL European Institute, UCL's hub for research, collaboration and information on Europe and the European Union.
The age-old question of what holds our societies together re-emerges periodically, particularly in times of crisis. In a world ever more globalised and virtual, the answer is often cast in terms of "trust", with its pivotal role as regularly called upon as its health called into question. How has trust risen to this centrality, and is it all as straightforward as it seems?
Dr Uta Staiger
13 August 2014
Starts: Aug 13, 2014 12:00:00 AM
Juncker’s nomination was not a sudden, not an unexpected and not even a distinct event. Neither does it spell
an end to the European Council’s dominance in constitutional politics or
make EU reform less likely.
Dr Christine Reh
2 July 2014
Starts: Jul 1, 2014 12:00:00 AM
As a closer look at the European
Parliament Elections in Central and Eastern Europe suggests, it may be
non-voting, rather than populist protest voting, which could prove the
long-term threat to sustainability of the EU’s troubled democratic
Dr Sean Hanley
2 June 2014 More...
Starts: Jun 2, 2014 12:00:00 AM
European Film Salons - Portraying Perpetrators: The Act of Killing
Publication date: Nov 13, 2013 4:48:03 PM
Start: Jun 6, 2014 12:00:00 AM
6 June 2014
Starting this academic year, the European Institute will be hosting a regular Film Salon. During these events, we will screen films produced in and with diverse topics of wider European relevance, in all genres. All screenings are free and will be followed by discussion.
6 June 2014, 7.00pm
Garwood Lecture Theatre
Film: The Act of Killing
(Denmark, Britain, Norway, 2012)
In this chilling and inventive documentary, executive produced by Werner Herzog, Errol Morris and André Singer, the unrepentant former members of Indonesian death squads are challenged to re-enact some of their many murders in the style of the American movies they love.
For info, please contact Julia Wagner
The first season in our Salon Series is dedicated to films in documentary and experimental, semi-documentary formats engaging with the legacy of war. More concretely, the selected films focus not on victims but on perpetrators: on those who did not suffer but commit crimes during war and dictatorship, and the ways both their families and society at large are coming to terms with these acts across the generations.
16 June Film: I was a Slave Labourer
Introduced by Luke Holland (director)
Over a three-year period, Luke Holland documented the activities of Buna/Monowitz survivor Rudy Kennedy as he visits international conferences and endeavors to obtain compensation for former slave labourers from German companies like BASF and VW.