Professor Helen Hackett



Email: h.hackett@ucl.ac.uk
External phone: 020 7679 3127
Internal phone: 33127
Office: Foster Court 205



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Education and Experience 

Helen Hackett was educated at Manchester High School for Girls and the University of Oxford (Lady Margaret Hall). She was a Junior Research Fellow at Merton College, Oxford, and has been at UCL since 1990.

Research Interests

Helen has broad interests in Renaissance literature, including particular engagement with female writers and representations of women. She has written extensively on images of Elizabeth I and on Shakespeare (especially A Midsummer Night's Dream). She has also published on sixteenth- and seventeenth-century prose fiction, especially the Urania of Lady Mary Wroth. An interest in post-Reformation Catholic writing has produced a series of essays on the manuscript poems and letters of the Aston-Thimelby circle, a seventeenth-century literary network. 

Helen was a founder of the UCL Centre for Early Modern Exchanges and continues to participate in its activities. Recent events include a Jacobean-style production of Samuel Daniel's Tragedie of Cleopatra.

On 26th April 2013 Helen gave a talk at Keble College Oxford. A podcast is available: 'Sisterhood and female friendship in a seventeenth-century miscellany: Constance Aston Fowler's manuscript anthology'

To hear Helen discussing The Tempest with Jonathan Miller, David Troughton and others, go to Night Waves, BBC Radio 3, 3rd May 2012.

On 26th April 2012 Helen gave The Essay on BBC Radio 3, on 'Shakespeare and Love'.

For Helen's selection of five books on Elizabeth I, see Five Books: Helen Hackett on Elizabeth I.

On 15th Oct 2009 Helen spoke on In Our Time on BBC Radio 4 on 'The Death of Elizabeth I'

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Books

(As editor:) Early Modern Exchanges: Dialogues Between Nations and Cultures, 1550-1750 (Farnham: Ashgate, 2015)

A Short History of English Renaissance Drama (London: I. B. Tauris, 2012)

Shakespeare and Elizabeth: The Meeting of Two Myths (Princeton University Press, 2009)

Women and Romance Fiction in the English Renaissance (Cambridge University Press, 2000)

Writers and Their Work: ‘A Midsummer Night’s Dream’ (British Council/Northcote House, 1997)

Virgin Mother, Maiden Queen: Elizabeth I and the Cult of the Virgin Mary (Basingstoke: Macmillan, 1995)

 

Editions

Introduction to A Midsummer Night’s Dream, ed. Stanley Wells (New Penguin Shakespeare, 2005)

Articles and chapters in books (since 2010)

With Yasmin Arshad and Emma Whipday: 'Daniel's Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance', Early Theatre 18.2 (2015), pp. 167-86.

‘Lady Mary Sidney Wroth, The Countess of Montgomery’s Urania’, in Margaret P. Hannay, Michael G. Brennan and Mary Ellen Lamb (eds), The Ashgate Research Companion to the Sidneys (1500-1700): Vol. 2: Literature. (Farnham: Ashgate, 2015), pp. 127-49.

'A new image of Elizabeth I: the Three Goddesses theme in art and literature', Huntington Library Quarterly 77.3 (2014), pp. 225-56

'Unlocking the mysteries of Constance Aston Fowler's verse miscellany (Huntington Library MS HM 904): the Hand B scribe identified', in Joshua Eckhardt and Daniel Starza Smith (eds), Manuscript Miscellanies in Early Modern England (Farnham: Ashgate, 2014), pp. 91-112

'Sisterhood and female friendship in Constance Aston Fowler’s verse miscellany,’ in Susan J. Wiseman (ed.), Women and the Poem in the Seventeenth Century (Manchester: Manchester University Press, 2013), pp. 131-46

'The Aston-Thimelby circle at home and abroad: localism, national identity, and internationalism in the English Catholic community', in David Coleman (ed.), Region, Religion and English Renaissance Literature (Farnham: Ashgate, 2013), pp. 123-38

'Women and Catholic Manuscript Networks in Seventeenth-Century England: New Research on Constance Aston Fowler’s Miscellany of Sacred and Secular Verse', Renaissance Quarterly 65.4 (2012), pp. 1094-1124

‘"As the Diall Hand Tells Ore": The Case for Dekker, not Shakespeare, as Author',Review of English Studies 63.258 (2012), pp. 34-57

‘Suffering saints or ladies errant? Women who travel for love in Renaissance prose fiction’, Yearbook of English Studies 41.1 (Jan 2011), pp. 126-140

Reviews (since 2010)

'Where facts stop', review of Lisa Hilton, Elizabeth I: Renaissance Prince - A Biography, Times Literary Supplement (30 Jan 2015), p. 5

Julie Crawford, Mediatrix: Women, Politics and Literary Production in Early Modern England, Review of English Studies 30 Sept 2014, doi: 10.1093/res/hgu089

'A talking snake', review of Gillian Woods, Shakespeare's Unreformed Fictions, and Sophie Read, Eucharist and the Poetic Imagination in Early Modern England, Times Literary Supplement (18 Apr 2014), p. 11

'Body politics', review of Anna Whitelock, Elizabeth's Bedfellows: An Intimate History of the Queen's Court, Times Literary Supplement (20 Sept 2013), p. 7

Donald Stump, Linda Shenk and Carole Levin (eds), Elizabeth I and the 'Sovereign Arts': Essays in Literature, History and Culture, Early Modern Women: An Interdisciplinary Journal 8 (2013), pp. 431-4

'Ruins of time', review of Andrew Hadfield, Edmund Spenser: A Life, Times Literary Supplement (3 Sept 2012), pp. 3-4

'Chaste Mary, Chased Mary', review of Gary Waller, The Virgin Mary in Late Medieval and Early Modern English Literature and Popular Culture, Times Literary Supplement (8 Jul 2011), p.12

'Begotten by despair', review of Nigel Smith, Andrew Marvell: The Chameleon, Times Literary Supplement (14 Jan 2011), p. 11

'Burned estates', review of Margaret P. Hannay, Mary Sidney, Lady Wroth, Times Literary Supplement (1 Oct 2010), p. 24

'Best known for his guzzleosity', review of James Shapiro, Contested Will: Who Wrote Shakespeare?, London Review of Books 32.5 (11 March 2010), pp. 21-2

Player, Playwright and Preacher’s Kid: The Story of Nathan Field, 1587-1620, by Antonia Southern, The Brown Book (2010), pp. 93-4

Goddesses and Queens: The Iconography of Elizabeth I, ed. Anneliese Connolly and Lisa Hopkins, English Historical Review 125.514 (2010), pp. 700-01

A Midsummer Night’s Dream, dir. Sir Peter Hall, Rose Theatre, Kingston, Shakespeare 6.2 (2010), pp. 256-8