Digital Classicist seminar: Retracing Theban Witness Networks in Demotic Contracts
Mon, 07 Jul 2014 10:04:24 +0000
Digital Classicist London & Institute of Classical Studies Seminar 2014 Silke Vanbeselaere (Leuven) ‘Retracing Theban Witness Networks in Demotic Contracts’ Friday July 11 at 16:30 in room G37, Senate House, Malet Street, London, WC1E 7HU This paper focuses on the presence of witnesses in Demotic contracts from Ptolemaic Thebes. It investigates the interpersonal links between [...]Read more...
Seminar: The Europeana network of Ancient Greek and Latin Epigraphy (EAGLE) and Linked Open Data
Mon, 30 Jun 2014 09:37:19 +0000
This week’s Digital Classicist London & Institute of Classical Studies Seminar:Pietro Liuzzo (Heidelberg) ‘The Europeana network of Ancient Greek and Latin Epigraphy (EAGLE) and Linked Open Data’. Friday July 4th at 16:30 in room 102 (Athlone), Senate House, Malet Street, WC1E 7HU The Europeana network of Ancient Greek and Latin Epigraphy aims to provide historians [...]Read more...
Publication date: Apr 26, 2011 12:37:57 AM
May 24, 2011 5:30:00 PM
End: May 24, 2011 9:30:00 PM
Location: House of St Barnabas, Soho
As part of a public event marking the publication of The Failure Files, an edited volume on failure and how it relates to a various aspects of today's society, Susan Greenberg will discuss her chapter on the importance of failure to learning and the creative process.
All writing that aims for originality and beauty has failure at its core. In true stories as well as fictional ones, creativity is about acting as a shaping consciousness. There is beauty in the story’s shape alone, but even more beauty and pleasure if the story leaves spaces for the imagination, and asks questions about what the writer does and does not know. Perhaps we should abandon the language of policymaking, social constructivism and ‘best practice’, and look instead to the language of poetics, which derives from the Greek root poiein, ‘to make’, giving us permission to attend to the process rather than the finished object. Thus a single word holds within itself a whole world of incompleteness, and hence imagination.
Susan Greenberg teaches creative writing at Roehampton University and works on her PhD thesis at UCL's Department of Information Studies. She also maintains a blog named Oddfish and tweets as @sgediting.
Page last modified on 26 apr 11 00:28 by Rudolf Ammann