BBCDocumentary which tells the story of a group of men and women who risked their lives to rescue a library - and preserve a nation's history - in the midst of the Bosnian war.
Errol MorrisErrol Morris broke cinematic ground with The Thin Blue Line, establishing a new genre in the non-fiction feature by creating a fascinating reconstruction and investigation of a brutal and senseless murder.
Cosima SpenderIn a personal journey into a family tragedy, filmmaker Cosima Spender explores how she and her relatives have been shaped by her grandfather - the pioneering Abstract Expressionist painter, Arshile Gorky.
BBCCritic and art historian Andrew Graham-Dixon travels from southern to northern Spain to tell the story of some of Europe's most exciting and vital art. He journeys to the country’s scorched centre to explore Spanish art of the 16th and 17th centuries. From the mystical world of El Greco to the tender genius of Velazquez, this was a moment so extraordinary it became known as the Golden Age. But beneath the glittering surface was a dark and savage heart.
Channel 4The history of British art is the story of Britain. For centuries, artists have reflected our times and shaped the way we see ourselves. This series presents six passionate polemics on how British art makes us who we are today and gives us a vision of ourselves. Historian Dr David Starkey examines how royal portraiture from Henry VIII to Princess Diana has had an enduring influence on the iconic power of personality.
Channel 4Dr Gus Casely-Hayford shows how our sense of identity was changed forever by the most distinctively British artist this country has ever produced: William Hogarth.
Channel 4Writer Howard Jacobson celebrates the way British artists depict sex and desire, and argues that the most compelling expression is to be found where we might least expect it: in the art of the Victorians.
Channel 4At a time when Britain's contemporary art world has been dominated by the 'Sensation' generation of Damien Hirst and Tracey Emin, it's easy to dismiss English landscape art as nothing more than tea towel culture. That would be a big mistake, argues Sir Roy Strong.
Channel 4Modern Art has made us who we are and it has certainly made Janet Street Porter who she is. Janet speaks to Hirst, Tracey Emin and Grayson Perry about how art has seeped into the very heart of British culture.
Channel 4Britain's war artists have pushed the boundaries in their drive to bring home to us the true cost of war. We once celebrated war's valour and glory, but they have encouraged us to feel its pain and tragedy. They have given us an artistic legacy that will continue to provoke and to move generations to come.
BBCCharts the golden age of 'photographic journeys' and how the use of colour slowly became a credible medium for 'serious' photographers.
Simon SchamaA film that looks at the genius of JMW Turner in a new light. There is more to Turner than his sublime landscapes - he also painted machines, science, technology and industry. Turner's life spans the Industrial Revolution, he witnessed it as it unfolded and he painted it.
BBCIn this documentary, Rageh Omaar sets out to find out that if human depiction is the source of such controversy, how is it that the art displayed here shows a tradition of figurative art at the heart of Islam for century after century? He explores what forms of art are acceptable for a Muslim - and why this artistic tradition has thrived - in the hidden art of the muslim world.
BBC 2Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them.
BBC 2Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang.
BBC 2Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism.
BBC 2This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century.
BBC 4Has one of Britain's greatest artists been unfairly forgotten? Waldemar Januszczak thinks so. In this documentary, Januszczak argues that the little known 17th-century portrait painter William Dobson was the first English painter of genius.
BBC 2Documentary about the pioneering computer animation studio Pixar, featuring contributions from the studio's bosses and a host of actors who have lent their voices to their creations, including Tom Hanks.
BBC 4Andrew Graham-Dixon explores the ancient Christian practice of preserving holy relics and the largely forgotten art form that went with it, the reliquary.
Channel 4The story of a Mumbai slum school choir who perform a concert at the city's prestigious National Centre for the Performing Arts.
BBCIn this documentary, the presenter and art critic Matthew Collings explores how Turner, the artist of light, makes light the vehicle of feeling in his work, and how he found inspiration for that feeling in the waters of the River Thames.