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#UCLfacesRACE, Conversation 2: Why is my curriculum white?

Film + discussion. 13:00–15:30, 11 November 2014, G07 Pearson Building. More...

Published: Oct 15, 2014 10:51:41 PM

Emetic remedies in Japanese Koiho 古方 medicine

A talk by Professor Tateno Masami, Nihon University, Monday 27 October 2014, 6.30pm, Astor College LG18 (please note changed venue).
Kan, To and Ge (perspiration, emesis, purgation) were the three main therapeutic techniques of the Koiho (Old Medicine) School of the Edo Era. In this talk, Professor Tateno will discuss Toho (emetic remedies), and explore how this technique embodied a distinctive medical philosophy.
Free registration on Eventbrite: http://emetic-remedies.eventbrite.co.uk More...

Published: Oct 12, 2014 2:17:54 PM

#UCLfacesRACE: Eugenics@UCL

A UCL BLACK HISTORY MONTH EVENT
Friday 10 October 2014, 6–9pm, Galton LT

Includes a talk by CCHH Director Vivienne Lo on ‘Nurturing Chinese students’ and short films by members of UCL. More...

Published: Oct 10, 2014 2:04:00 PM

Come and join the China-Taiwan cross-straits debate!

Monday 23 June, 2–3.30pm, Room 105, 24 Gordon Square, UCL
The debate will bring together established academics and UCL graduate students to explore contemporary Taiwan-China relations in the light of the recent Sunflower protest movement (太阳花学运).
More...

Published: Jun 10, 2014 3:48:29 PM

UK première – Sauna on the Moon (Chang’e 嫦娥), dir. Zou Peng 邹鹏, China 2011

This Thursday, 29 May 2014, 6.30–8.30pm. Roberts G06, Sir Ambrose Fleming Lecture Theatre.
More...

Published: May 26, 2014 3:04:08 PM

Martial arts film: The Sword Identity

8 April 2013

Tuesday 14th May, 6.30pm,  Lecture Theatre 1.03, Malet Place Engineering Building.
Part of the UCL Festival of the Arts

Free tickets available from:
http://the-sword-identity.eventbrite.com/#


As a continuation of the UCL China Centre for Health and Humanity (CCHH) Festival of Film and the Body, we present The Sword Identity 倭寇的踪迹 (2011), directed by Xu Haofeng 徐浩峰, one of China’s cutting edge young directors, and writer and lecturer at Beijing Film Academy.

The Sword Identity


In the postmodern world of martial arts,  Xu’s debut film turns his novella of the same name into a film that is  ‘both a homage to and a comic deconstruction of the Chinese and Japanese martial arts traditions’ (Kraicer, Cinemascope). This is a beautifully shot epic which draws on earlier generations of martial arts films with wit and artistry. Illustrating the complexities of wuxia society, the film contains a visual analysis of the subtle dynamics of combat chivalry and simultaneously captures the philosophy behind the skill of the swordsman.

Page last modified on 08 apr 13 17:50 by Penelope Barrett