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Order/Disorder: The artist-researcher as connector-disrupter-running messenger?

A UCL IAS Talking Point with Dr Kai Syng Tan, artist and UCL IAS Visiting Research Fellow.
Time: 5 December 2017, 6–8pm
Place: IAS Common Ground
Admission by free ticket from Eventbrite
More...

Chinese Film and the Medical Humanities: Ten workshops

Tuesday evenings (6.00pm) during term-time, 14 November 2017 to 6 February 2018, Room 215, Foster Court. More...

2017 Chinese Art Film Festival London Showcase

Modernisation and the Persistence of Traditional Values in China.
Co-organised by Shanghai Art Film Federation and SOAS China Institute. Tues–Fri during Reading Week, 7–10 October. Admission free – no registration required unless otherwise stated. More...

History of Pre-Modern Medicine seminar

The uses of ox-bezoar in pre-modern Japan in ritual and medical practices.
Speaker: Dr Benedetta Lomi (University of Bristol).
Time: Tuesday 24 October 2017, 6.15pm (doors open 6pm).
Place: Wellcome Library, 183 Euston Road, London, NW1 2BE.
Everyone is welcome.
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The Silent Teacher

Film screening, 18 October 2017, 7pm, IAS Common Ground, South Wing, Wilkins Building. European première of The Silent Teacher 那個靜默的陽光午後 (Taiwan, 2016). More...

YiMovi Exhibition of Chinese Film and the Medical Humanities


A UCL-PKU collaborative event, jointly convened by Dr Vivienne Lo (UCL CCHH), Prof. Guo Liping (PKU) and Dr Daniel Vuillermin (PKU). Peking University Medical Campus, 31 May – 2 June 2017. More...

UNexpected London Chinese Short Film Festival 2017

UCL main campus 22–27 May. Short film screenings: 26–27 May. Free tickets from Eventbrite.

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MA Chinese Health & Humanity Dissertation Conference 2017

Wednesday 24 May, 2.00–5.00pm, Room 102, 23 Gordon Square.
Please do come along to support our students and find out about their fascinating research! More...

Performance and [dis]ability

7 October 2013

Monday October 7, 5pm, Galton Lecture Theatre. Please join UCL Comparative Literature for a talk by Haiping Yan 颜海平(Shanghai Jiaotong University) on '"My Dream": an Intermedial Turn in Urban Aesthetics and Chinese Cosmopolitanism'.

Haiping Yan taught at Colorado, Michigan and UCLA, at Cornell's School of Criticism and Theory and as Director of Theatre Studies at Cornell before taking up her current position as Director of the Institute for Advanced Study in Media and Society at Shanghai Jiaotong University. Her specialties include comparative drama, theatre and multi-media performance, modernist aesthetics and critical theories, transnational studies of theatre and performance, and modern Chinese literary, cultural and social history. She has authored or edited many books, including Chinese Women Writers and the Feminist Imagination, 1905-1948 (2006); Theatre and Society: An Anthology of Contemporary Chinese Drama (ed. & intro, 1998); Globalization and the Development of Humanistic Studies (ed., 2006). Her ten-act historical play Li Shimin, Prince of Qin won China's First Prize for Excellence in Drama in 1980. She has long experience in organizing transnational institutional collaborations, especially focused on globalization and comparative humanities.

Page last modified on 07 oct 13 11:21 by Penelope Barrett