- Inaugural Lecture 15 June 2011
- History of Medicine in Motion
- Medical Texts in Translation
- Potent Substances: On the Boundaries of Food and Medicine
- Festival of Chinese Film and the Body
- Perfect Bodies
- Daoist and Other Visualisations in Practice
- Festival of Chinese Film and the Body, Film 4
- Chinese New Year celebrations 2013
- Pharmacology in China
- The Benevolent Dragon? An analysis of China's health diplomacy to Africa (1964 – the present)
- China in Latin America
- Martial arts film: The Sword Identity
- Spices and medicine: From Historical Obsession to Research of the Future
- CCHH OPEN DAY
- CCHH film evenings
- Performance and [dis]ability
- Chinese film evening, Dragon (Wuxia 武俠, 2011), dir. Peter Chan 陈可辛.
- History of Pre-Modern Medicine Seminar: Prof. Volker Scheid
- CCHH film – Mother (Mama 妈妈), dir. Zhang Yuan 张元, 1990.
- Film and the Chinese Medical Humanities
- CCHH alumni news
- CCHH MA student achievement
- Chinese Film and the Medical Humanities workshop
- China and Freedom of Speech: new systems for the accountability of the press. An evening with John Kampfner
- Imagining Chinese Medicine: Medical illustration from Han tombs to contemporary Comics.
- Twelve Scholars of the Bamboo Grove
- Chinese Visual Festival 2014
- A transnational history of the forensic gaze
- The 'Subtle Body' in the Indo-Tibetan and Chinese traditions
- UK première – Sauna on the Moon (Chang’e 嫦娥), dir. Zou Peng 邹鹏, China 2011
- Come and join the China-Taiwan cross-straits debate!
Monday 23 June, 2–3.30pm, Room 105, 24 Gordon Square, UCL
The debate will bring together established academics and UCL graduate students to explore contemporary Taiwan-China relations in the light of the recent Sunflower protest movement (太阳花学运).
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CCHH film – Mother (Mama 妈妈), dir. Zhang Yuan 张元, 1990.
21 January 2014
Time: Tuesday 28th January 2014, 7pm. Place: Room 107, 25 Gordon Square.
The film that inaugurated the 'Sixth Generation' of Chinese cinema.
Tony Rayns writes:
Released in China only after a two-year ban, Zhang Yuan's debut feature looks at first glance like a Ken Loach 'social problem' movie. It centres on the plight of a woman librarian in Beijing who struggles to bring up her teenage son (retarded since a childhood accident) without help from her absent husband or the state, and juxtaposes that fiction with relevant documentary material. But Zhang isn't content with showing street-level realities for their own sake; he pushes his material towards expressionism, using the mother's inevitable mood swings as keys to the tone and texture of the images, a strategy that brings him within breathing distance of film noir by the end. China's 'Sixth Generation' film-makers couldn't have got off to a stronger start.
Time Out, 1991
Zhang Yuan would go on to make a succession of controversial and daring movies including Beijing Bastards (Beijing zazhong 北京杂种), 1993, and East Palace, West Palace (Donggong, xigong 东宫西宫), 1996.
This screening is part of Chinese Film and the Body (2013–2014), a series of film evenings exploring social and cultural issues related to health, medicine and the body in 20th and 21st century China, as represented in Chinese cinema.
The film evenings take place on Tuesdays during term-time, from 12th November 2013 to 11th February 2014.
Each screening is presented by a specialist and followed by a discussion and/or a live video Q&A session with the director.
You can find further details of the films and suggestions for background reading here: www.ucl.ac.uk/chinahealth/teaching/chinese_film_and_the_body
The films are core viewing for the UCL CHH MA module in Chinese Film and the Body.
Admission is open to all members of UCL as well as registered Friends of the UCL China Centre for Health and Humanity. To register and join our Events mailing list, please follow this link.
Page last modified on 21 jan 14 15:46 by Penelope Barrett