- Inaugural Lecture 15 June 2011
- History of Medicine in Motion
- Medical Texts in Translation
- Potent Substances: On the Boundaries of Food and Medicine
- Festival of Chinese Film and the Body
- Perfect Bodies
- Daoist and Other Visualisations in Practice
- Festival of Chinese Film and the Body, Film 4
- Chinese New Year celebrations 2013
- Pharmacology in China
- The Benevolent Dragon? An analysis of China's health diplomacy to Africa (1964 – the present)
- China in Latin America
- Martial arts film: The Sword Identity
- Spices and medicine: From Historical Obsession to Research of the Future
- CCHH OPEN DAY
- CCHH film evenings
- Performance and [dis]ability
- Chinese film evening, 29/11: Woman Demon Human 人鬼情
- Chinese film evening, Dragon (Wuxia 武俠, 2011), dir. Peter Chan 陈可辛.
- History of Pre-Modern Medicine Seminar: Prof. Volker Scheid
- CCHH film – Mother (Mama 妈妈), dir. Zhang Yuan 张元, 1990.
- Film and the Chinese Medical Humanities
- CCHH alumni news
- CCHH MA student achievement
- Chinese Film and the Medical Humanities workshop
- China and Freedom of Speech: new systems for the accountability of the press. An evening with John Kampfner
- Imagining Chinese Medicine: Medical illustration from Han tombs to contemporary Comics.
- Twelve Scholars of the Bamboo Grove
- Chinese Visual Festival 2014
- A transnational history of the forensic gaze
- The 'Subtle Body' in the Indo-Tibetan and Chinese traditions
- UK première – Sauna on the Moon (Chang’e 嫦娥), dir. Zou Peng 邹鹏, China 2011
- Come and join the China-Taiwan cross-straits debate!
- #UCLfacesRACE: Eugenics@UCL
- Emetic remedies in Japanese Koiho 古方 medicine
- #UCLfacesRACE, Conversation 2: Why is my curriculum white?
- Daoist Cooking through the Four Seasons
- University of Westminster Contemporary China Centre Seminar
- Administrating Art, History, and Science in the Mongol Empire: Rashid al-Din and Bolad Chengxiang
- Thinking Chinese Conference (31/03–1/04 2015) 思華 · 華思 (UPDATE)
- Thinking Chinese Exhibition (31/03–12/05 2015)
- The Chinese Erhu during the First World War
- 5th Annual Chinese Visual Festival
- Call for Chinese-speaking choral singers!
- Lady Precious Stream
- Film and Discussion: When China Met Africa
- Hot and Numb! 2000 years of Sichuan pepper
- A unique opportunity to learn Chinese Sign Language at UCL!
- Medical Humanities in China – conference
- Isabella Bird (1831–1904): Photographic travels in China
- Thinking Chinese 思華 . 華思
- History of Pre-Modern Medicine Seminar: Professor Elisabeth Hsu
- International postgraduate summer school
- Di Lu Wins IASTAM Junior Scholar Essay Prize
- New Chinese Film + Director's Q&A
- Summer volunteering placements in rural China
- MA Chinese Health & Humanity Dissertation Conference 2016
- Chinoiseries – Art and Fashion
- Cross-Cultural Medical Humanities in a Digital World
- Chinese Film and the Medical Humanities: ten workshops
- PKU-UCL Cross-Cultural Medical Humanities
- Frontiers in Digital Health seminar
- Exhibition + Lecture + Student workshop
- PKU scholarship information event
Based on the life and career of Pei Yanling 裴艳玲 – a famous female performer of male roles in Hebei opera – Huang Shuqin's 黄蜀芹 extraordinary Woman Demon Human (Ren gui qing 人鬼情, 1987) has been acclaimed as China's first feminist film. More...
in a Digital World [FURTHER UPDATE]
7–9 November 2016, UCL Institute of Advanced Studies (IAS) 'Common Ground', Ground Floor, South Wing, Wilkins Building, UCL.
Convened and curated by Vivienne Lo, UCL CCHH.
Wednesday 2 November, 5pm, Darwin Building B15. Find out about the unique fully funded 1-year interdisciplinary Master’s programme in China Studies at Peking University from 2015–2016 Yenching Scholar (and UCL History graduate) James Ashcroft, and Yenching Academy Associate Dean Professor John L. Holden.
We are delighted to announce the success of the recent UCL CCHH application for a Wellcome Trust Seed Award (PI: Vivienne Lo).
Panel seminar organised by Phoenix TV Art. 20 June 2016, 6.30 pm, Lydia & Manfred Gorvy Lecture Theatre, Dyson Building, Royal College of Art, 1 Hester Road, Battersea, SW11 4AN.
Chinese Film and the Medical Humanities workshop
4 March 2014
In the context of the UCL initiative for the creation of a Chinese Medical Humanities, on the 22nd and 23rd February,2014, the collaborate workshop (with Peking University [PKU] Institute of Medical Humanities and King's College London [KCL]) convened international experts to reflect on the use of film in teaching the Medical Humanities.
Building on the experience of an existing UCL/PKU course on Film and the Body taught together with experts across the three institutions, we explored the potential of film for speaking to the challenges of the discipline. The workshop anticipates a larger conference to be held across the institutions involved, looking at the future of the teaching of Medical Humanities in and about China and what it can contribute to the wider field.* It is envisaged that the proceedings of both workshop and conference will generate publications and online open access teaching materials.
*Medical Humanities in China, Peking University Institute for Medical Humanities, University Health Science Center 15-17th October, 2015, Convenors Prof. Guo Liping (PKU) and Dr Vivienne Lo (UCL). Download a flyer here.
Film and the Chinese Medical Humanities
Saturday 22nd February 2014, Garwood Lecture Theatre UCL
9am Welcome Address
9.15–1.00: Old Age and Dying
Patrizia Liberati (PKU/Italian Embassy) presents Gaosu tamen, wo cheng baihe qu le 告诉他们，我乘白鹤去了 (Fly with the Crane), directed by Li Ruijun 李睿珺, 2012.
Michael Clarke (KCL) presents Feiyue laoren yuan飞越老人院 (Full Circle: no home for old men), directed by Zhang Yang 张扬, 2011.
Guo Liping (PKU) presents Sha sheng杀生 (Design of Death), directed by Guan Hu 管虎, 2011.
2.00–3.30 Medical Hagiographies
Marta Hanson (John Hopkins) on Wu Youke
Vivienne Lo (UCL) on Bianque and Hua Tuo
Penelope Barrett (UCL) on Li Shizhen
Lai Lili (PKU) presents Suan Ming 算命 (Fortune Teller), directed by Xu Tong, 2010.
Patrizia Liberati presents Gan qing dong wu 感情動物 ( Sentimental Animal) written and directed by Quan Wu, 2011.
6.00: The Comodified Body: Prostitution in Amoy
Patrizia Liberati presents Chang’e嫦娥 (Sauna on the Moon), directed by Zou Peng, 2011. This film has not passed the Chinese censors and is shown with special permission of the directors and distributors.
Dinner for Participants 9pm @ China City, Upper Woburn Place (just north of Russell Square)
Sunday 23rd February 2014, Garwood Lecture Theatre UCL
9.00 – 12.30: Pathologising the Male Body
Derek Hird (U. of Westminster) presents Donggong xigong 東宮西宮 (East Palace, West Palace), directed by Zhang Yuan.
Howard Chiang (U. of Warwick) presents on剑雨 Jianyu (Reign of Assassins), 2010, directed by John Woo and 龍門飛甲 Longmen feijia (The Flying Swords of Dragon Gate), directed by Tsui Hark and Jacob Cheung, 2011.
Hongwei Bao (U. of Nottingham) presents Shenglai tongzhi 生来同志 (Cures that Kill), directed by Xiaogang Wei, 2011.
12.30– 1.30 Acupuncture Anaesthesia
Leon Rocha (Cambridge University) presents Wuying deng xia song yinzhen无影灯下颂银针 (Song of Acupuncture Treatment), directed by Sang Hu 桑弧 (1916-2004), 1974 with reference to Chung Kuo 中國 (China) directed by Michelangelo Antonioni, 1974.
2.30-3.15 Hong Kong's James Bond: How a Chinese Male Gynaecologist and Female Hua Tuo Play with Chinese Medicine and Masculinity
Marta Hanson presents Tainei mishen linglingfa大內密探零零發 (Forbidden City Cops lit. the Imperial Secret Agent 008), directed by Stephen Chow 1996 (Hong Kong) and Guochan linglingqi國產零零漆 (From Beijing with Love/lit. Made in China: 008), directed by Stephen Chow, Anita Yuen and Law Ka-Ying, 1994.
3.15 – 4.15 The Forensic Gaze
Vivienne Lo presents Wuxia 武俠 (Dragon), directed by Peter Chan, 2011.
4.15-5.15 Student Presentations
5.15 Roundtable: On the role of film in translating the MHs into practice
Chair: Asher Tlalim (NFTS)
Page last modified on 04 mar 14 14:55 by Penelope Barrett