2010-2011

2011 Summer Term

Date Speaker Title
4 May John McAleer
National Maritime Museum 		Thomas Baines, Artist-Explorer Extraordinaire, and the
'Uses' of Colonial Art.
16 May Gemma Angel
UCL 		The Tattoo Collectors: Inscribing Criminality in Late Nineteenth-Century France
26 May Meghan Ghilbride
UCL

Animating Postmemory in Michael Fukushima's Minoru: Memory of Exile
2 June Catherine Berger
UCL 		Secessionist Discontents: Romantic Anti-Capitalism in Alfred Stieglitz's Photo-Secession and Late Nineteenth-Century German Art

2011 Spring Term

Date Speaker Title
13 January Danielle Thom
UCL 		Entertaining the Public:  Satirical Interventions in the London Print Market, 1745-84
20 January Suzannah Biernoff
Birkbeck, University of London 		Afterimages of the Great War: Medical Archives and Digital Culture
27 January

Julia Bailey

UCL

 The Art of Peaceful Coexistence: Socialist Realism at the 1959 Soviet Exhibition in New York
3 February

Nancy Anderson

State University of New York at Buffalo

 Molecular Images, Molecular Futures: From the Double Helix to (Kisho Kurokawa's) Helix City
24 February

Anna Gruetzner Robins

University of Reading

 Michael Field and the Female Gaze: Botticelli and Manet
10 March

Hanneke Grootenboer

University of Oxford

 Part 1 of the Tomás Harris Lecture Series:

An Overlooked Episode of Vision's History: Eighteenth-Century Eye Portraits
17 March

Hanneke Grootenboer

University of Oxford

 Part 2 of the Tomás Harris Lecture Series:

Treasuring the Gaze: Portraiture's Intimate Vision

2010 Autumn Term

Date Speaker Title
5 October Stephen Eisenman
Northwestern University 		The Political Logic of Radical Art History in California, 1974-1984
3 November Leonard Barkan
Princeton University 		Michelangelo:  A Life on Paper
18 November Stephanie Straine
UCL 		Paper Trails: Alex Hay and Drawing Strategies in 1960s and 1970s
25 November Sandra Rehme
UCL 		Anais Nin and Jean Varda:  Collage as Aesthetic Principle in Post-war California
2 December Pandora Syperek
UCL 		'No Fancy So Wild':  Slippery Gender Models in the Coral Gallery
9 December Lauren Rotenberg
UCL 		The Prospects of "Freed" Time
16 December Paula Brailovsky
UCL 		On the Same Side of History:  Fragmenting the Mexico-U.S. Border in the Border Art Workshop's The End of the Line

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