Dr Paolo Magagnoli

Email: p.magagnoli@ucl.ac.uk
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Peer-reviewed journal articles:

“‘Let meaning disintegrate’: Digital Compression as Revelation in the Art of Sean Snyder,” Screen 55/4 (December 2014)

“Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?”, Philosophy of Photography, vol. 3, no. 1 (December 2012)

“Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art”, Academic Quarter, Special Issue on the Aesthetics of Human Rights, no. 5 (December 2012)

“A Method in Madness: Historical Truth in Walid Raad’s ‘Hostage: The Bachar Tapes”, Third Text 110, vol. 25, no. 3 (June 2011)

“Critical Nostalgia in the Art of Joachim Koester”, Oxford Art Journal, vol. 34, no.1 (March 2011)

“Documentary Fictions: New Concepts of Truth and Representation in the Works of Anri Sala and Hito Steyerl”, Object, no. 12 (January 2010)

“European Cinema and Intertextuality: History, Memory and Politics”, Transnational Cinemas, vol.3, no.2 (Winter 2012) (review)

“Sven Augustijnen’s Spectres”, Transnational Cinemas, vol.3, no.1 (Summer 2012) (review)

Chapters in books:

“‘Let meaning disintegrate’: Digital Compression as Revelation in the Art of Sean Snyder.” In Alexandra Moschovi ed., The Versatile Image: Photography in the Era of Web 2.0 (Leuven: Leuven University Press, 2013)

Feature essays in art press:

“The Pull of Violence: Paul Chan’s Trilogy of War”, Afterall, no. 31 (Autumn 2012)

Exhibition reviews in art press:

“Adelita Husni-Bey: Playing Truant”, Frieze (April 2013)

“Light from The Middle East”, Camera Austria (March 2013)

"Everything was Moving: Photography from the 60s and 70s," Camera Austria (December 2012)

“Zoe Leonard”, Camera Austria (June 2012)

“Zarina Bhimji”, Camera Austria (March 2012)

“Taryn Simon: A Living Man Declared Dead and Other Chapters”, Camera Austria (September 2011)