Inaugural Lectures
- Inaugural Lecture - Professor Wendy Bracewell (SSEES)
- Inaugural Lecture - Professor Peter John (Political Science)
- Inaugural Lecture - Professor Hans Van Wees (History)
- Inaugural Lecture - Professor Lisa Jardine (Renaissance Studies)
- Inaugural Lecture - Professor Jon French (Department of Geography)
- Inaugural Lecture - Professor David Wengrow (Department of Archaeology)
- Inaugural Lecture - Professor Elizabeth Graham (Institute of Archaeology)
- Inaugural Lecture - Dr Peter Swaab (Department of English)
- Inaugural Lecture - Professor Kevin MacDonald (Department of Archaeology)
- Inaugural Lecture - Professor Jan Eeckhout (Department of Economics)
- Inaugural Lecture - Professor Ian Freestone (Department of Archaeology)
- Inaugural Lecture - Professor Iwan Morgan (Institute of Americas)
- Inaugural Lecture - Professor Neil Mitchell (International Relations)
- Inaugural Lecture - Professor Maxine Molyneux (Institute of Americas)
- CANCELLED: Inaugural Lecture - Professor Morten Ravn (Economics)
Scholarships & Funding
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Inaugural Lecture Series
Inaugural Lecture - Dr Peter Swaab (Department of English)
24 October 2012

19 February 2013
UCL Gustave Tuck Lecture Theatre, Wilkins Building UCL - 6.30pm
Dr Peter Swaab (Department of English)
Peter Swaab studied at Cambridge, Harvard and
NYU before coming to UCL. He is the editor of the Selected Nonsense and Travel Writings of Edward Lear and of the
first ever editions of poetry and prose by Sara Coleridge. His other
publications include a major piece on The
Two Noble Kinsmen for the Penguin Shakespeare, a BFI Film Classic book on Bringing Up Baby and a book, co-edited
with Philip Horne, about the British film director and UCL alumnus Thorold
Dickinson. His next project is a book on Sylvia Townsend Warner.
Title: Edward Lear’s Travels in Nonsense and Europe
Edward Lear was a travel writer as well as a nonsense poet, and this lecture explores affinities between the two genres of his writing.
Lear travelled far and wide, into regions where he was frequently thought odd. His narratives combine Pickwickian comedy, Byronic melancholy and social anthropology. Nonsense poetry also encounters unexpected locales, with their own flora and fauna and rules. Taking leave of the normal, it is a poetry of departures; narrating quests for love and adventure, it is a form of mock-epic; creating a world of its own, it is a British counterpart to French Symbolism.
The lecture will discuss why questions of
travel mattered so intensely to Lear, what was nonsensical about Victorian
excursions into the wider world, and what was Victorian about the nonsense
poetry of the age.

