Events
- Word and Image: Early Modern Treasures from the UCL Collections
- Centre for Early Modern Exchanges: Launch Conference
- Cultures of Surveillance - Conference
- Inspector Sangiorgi and the Sicilian mafia, 1875-1877
- Inaugural Lecture - Chronis Tzedakis
- Inaugural Lecture - Gesine Manuwald
- Inaugural Lecture - Imran Rasul
- Inaugural Lecture - Jennifer Robinson
- Inaugural Lecture - Frederic J. Schwartz
- Inaugural Lecture - Albert Weale
- Inaugural Lecture - Claire Warwick
- Inaugural Lecture - Ada Rapoport-Albert
- Inaugural Lecture - Helen Hackett
- Inaugural Lecture - Philippe Marlière
- Inaugural Lecture - Miriam Leonard
- Time-travels in literature and politics
- Displacing Persephone: Epic between Worlds
- Making Space
- Art by Animals comes to London
- Generation X Reflects: British – German Encounters
- Language, Identity and Multiculturalism Colloquium
Inaugural Lecture - Helen Hackett
6 December 2011
6 March 2012
UCL Gustave Tuck Lecture Theatre, Wilkins Building UCL - 6.30pm
Professor Helen Hackett (Department of English)
Helen Hackett has been at UCL since 1990, following ten years of study and research at Oxford. Her publications include: ‘Virgin Mother, Maiden Queen: Elizabeth I and the Cult of the Virgin Mary’; ‘Women and Romance Fiction in the English Renaissance’; and ‘Shakespeare and Elizabeth: The Meeting of Two Myths’. She has also written extensively on ‘A Midsummer Night’s Dream’. She is co-director of the UCL
Centre for Early Modern Exchanges.
Late Elizabethan: Literature and Culture at the End of an Era
The decade before the death of Elizabeth I in 1603 produced wonderful literature, but was also an age of anxiety, tense with uncertainty as to what would ensue from the old Queen’s death. Court writers made extraordinary assertions that Elizabeth had conquered mortality, making time stand still. How did innovative authors like Shakespeare and Donne respond to being young in an age grown old? Perhaps we can think of the long 1590s as a decadent fin-de-siècle with a distinctive and self-conscious ‘late style’, taking familiar conventions to new extremes, and combining retrospection with new departures.
