Events
- Word and Image: Early Modern Treasures from the UCL Collections
- Centre for Early Modern Exchanges: Launch Conference
- Cultures of Surveillance - Conference
- Inspector Sangiorgi and the Sicilian mafia, 1875-1877
- Inaugural Lecture - Chronis Tzedakis
- Inaugural Lecture - Gesine Manuwald
- Inaugural Lecture - Imran Rasul
- Inaugural Lecture - Jennifer Robinson
- Inaugural Lecture - Frederic J. Schwartz
- Inaugural Lecture - Albert Weale
- Inaugural Lecture - Claire Warwick
- Inaugural Lecture - Ada Rapoport-Albert
- Inaugural Lecture - Helen Hackett
- Inaugural Lecture - Philippe Marlière
- Inaugural Lecture - Miriam Leonard
- Time-travels in literature and politics
- Displacing Persephone: Epic between Worlds
- Making Space
- Art by Animals comes to London
- Generation X Reflects: British – German Encounters
- Language, Identity and Multiculturalism Colloquium
Inaugural Lecture - Frederic J. Schwartz
27 October 2011
17 January 2012
UCL Wilkins Gustave Tuck Lecture Theatre - 6.30pm
Professor Frederic J. Schwartz (Department of History of Art)
Frederic J. Schwartz (PhD, Columbia University, New York) has lectured and written widely on Central European art, architecture and design, the historiography of art and the Critical Theory of the Frankfurt School. His books include The Werkbund: Design Theory and Mass Culture Before the First World War (1996) and Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany. He was for ten years an editor of the Oxford Art Journal.
Architecture and Crime: Adolf Loos and the Culture of the ‘Case’
The Austrian architect Adolf Loos, author of the modernist polemic ‘Ornament and Crime’ (1910), was involved in two widely publicized criminal trials during his career. An investigation of his encounters with criminality suggests that his experiences with the press and the courts had implications for both his architectural practice and theory. The publicity surrounding scandals and criminal cases in fin-de-siecle Vienna provided opportunities for the debate of matters of general importance at the time of a deteriorating public sphere. Loos’s architecture, scandals and controversies offer unparalleled insight into the changing configurations of the public at the time.
