Manuscripts, Archives and Art Collections Retrieval System
The Slade School of Fine Art
The Slade School of Fine Art opened in 1871. The original foundation came from the legacy of Felix Slade, a noted patron
of the arts and, although the buildings were enlarged in 1880 and 1994,the School still occupies the same premises on the north side
of the main UCL quad. In the 1870s the College not only raised funds to complete the building, but also evolved its own
pioneering view of what a University based study of fine art might be. Then, as now, the Slade was recognised as the foremost institution
in the UK for the education of fine artists, awarding first undergraduate diplomas then degrees of the University of London. Postgraduate
studies commenced formally in 1966 with the Higher Diploma in Fine Art; the School now offers two masters programmes (M.F.A and M.A.) and
an M.Phil/Ph.D.
In earlier years the Slade was noted for its instruction in drawing (Alphonse Legros, Henry Tonks) and painting (Edwin Poynter, Legros,
P. Wilson Steer). From 1894 to 1910, several intakes of distinguished students established the School artistically - Augustus and Gwen John and
William Orpen in the 1890s; then, around 1900, Wyndham Lewis, Spencer Gore and Harold Gilman; and a little later, Stanley Spencer, Mark Gertler,
C.R.W. Nevinson and Dora Carrington. Sculpture became increasingly important from the mid 20s,(taught by A.H.Gerrard and Reg Butler). Printmaking
developed strongly from the 1950s under the direction of John Buckland Wright, Anthony Gross, and, from the late 50s until recently, Barto dos Santos.
In Tonks' last year, 1929, Stage Design was established by Vladimir Polunin, who had earlier been associated with Diaghilev: this has continued under
Robert Medley and Peter Snow; outstanding students include Derek Jarman.
From 1949, under Sir William Coldstream and his colleagues, a period of
distinguished painting, theory and teaching developed. During these years activity diversified, and from 1960 until the early 1980s included a Film Course,
which was centred particularly on an academic study of the documentary. This was for many years directed by Thorald Dickinson. From the period after World War
II, distinguished students in painting and sculpture have included William Turnbull, Edouardo Paolozzi, Bernard and Harold Cohen, Paula Rego, Michael Andrews,
and Euan Uglow.
The present Slade Professor is Bernard Cohen. For information on current programmes and details of present teaching staff and their work, please see the
Slade's Home Page.
The Slade Archive
Historical Context
The Archive of the Slade School of Fine Art was formally instituted in 1990 and from 1993 to 1997 was supported by
an Archive Research Grant from the Leverhulme Foundation, after which the bulk of it was transferred to the College Library .
Since its transferral the maintenance of
the Archive and the management of its current records have been under review.
Nature of Holdings
The Archive holdings consist of School records, its early staff and students, building, curriculum, teaching and research. The core series are the past 'Office Papers' of the School,
the bulk of which dates from after 1949. There are important documents from the 1930s, but the World War II period is little represented. There is a small collection of photographs,
mostly of people, studios and works by students, and a collection of artists' catalogues and ephemera.
What's on MAARS
There are 404 records so far for the Slade Archive holdings, which all date from its foundation in 1868, grouped under 3 collections:
Office Papers before 1949, 151 files, catalogued to file level
Office Papers after 1949, 138 files, catalogued to file level
Photographs, 228 item records
Personal Visits
Intending users should first contact the Library. Readers are required to complete the Researcher Application Form and preferably make an appointment. Full details of opening hours
hours and collection times are available on the Library's home pages . The Manuscripts and Rare Books Reading Room is located on the first floor of the DMS Watson Building
Relationship to Other Holdings
In general, queries about past staff and students can only be fully dealt with in consultation with the partner departments in the MAARS network. The College Art
Collections hold works (paintings, drawings, prints) by many past prizewinners, and the Records Office has official information (such as dates of registration,
prizes and degree awards) on individual students, as well as student files for the period up to 1968. The Library meanwhile holds a broad range of associated material such as early correspondence
and appointment reports.
Access Information
Researchers should note that the personal records of past students are not included on the MAARS catalogue and access to personal information is permitted only within the provisions of the
College Regulations for Access to the Records of Past Students.
Enquiry Information
Contact mssrb@ucl.ac.uk.Start MAARS Search
Contact ucylw3a@ucl.ac.uk
Last modified 20 January 1999